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[新闻] 年度合成器巨作UVI-falcon 2

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年度合成器巨作UVI-falcon 2


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WHAT'S NEW

Since Falcon’s initial release we have been committed to keeping it fresh and innovative. Listening to our user’s experience and feedback, we regularly add new factory content, modules, enhanced functionality and optimizations for FREE.

Registered users have access to the newest version anytime from the My Products page or UVI Portal.








NEW & ENHANCED OSCILLATORSWe’ve added cothe Additive oscillator, FM support in the Wavetable oscillator, and we’ve improved IRCAM Stretch, FM and Pluck oscillators.


NEW & ENHANCED MODULATION SOURCESWe’ve added a new Parametric LFO and improved the Multi Envelope modulator to allow creation with MIDI and audio sample drag-n-drop.










NEW & ENHANCED EFFECTSWe’ve added Tape Echo, Sallen Key Filter, Formant Crusher, Track Delay, Digital Filter, Digital EQ, Frequency Shifter, Rotary, Phasor, Phasor Filter, Diode Clipper, Thorus and new effect racks such as Fuzz4 and MaxMS. And we’ve also improved Redux, 3-Band Compressor, Dual Delay, Xpander Filter, UVI Wide and Tilt.


NEW MIDI PROCESSORSWe’ve added event modules using the Script Processor such as Step Sequencer, Euclidean Drum and Euclidean Tonal sequencers, Chord Bank, Range Limiting, MIDI Delay, Velocity Remapper and more, and have added support for AnaMark tuning.










ENHANCED WORKFLOWNew functionality and optimizations have been implemented such as Favorite tagging, user interface scaling, Search tab in the right panel, and MPE devices support.


NEW SOUNDS AND WAVETABLESHundreds of factory presets, wavetables and even exclusive presets from Expressive E and dedicated MPE presets have been regularly added.







IN-DEPTHOSCILLATORS

Falcon includes 16 oscillators covering a wide range of modern synthesis methods from basic sample playback to more advanced generators like Pluck, Wavetable and IRCAM Multi Granular.

One of Falcon's greatest strengths is its ability to freely layer oscillators to create elaborate hybrid instruments that capitalize on the unique features of both sample-based and algorithmic sound creation. There are no preset limits on the quantity or type of oscillators you can use, you're limited only by your computers processing power and imagination.



SYNTHESIS


SAMPLING



SYNTHESISANALOG

A virtual analog oscillator outfitted with a traditional selection of waveforms including Sine, Saw, Square, Triangle, Noise and Pulse. Includes pulse width modulation, sync control and a robust unison section supporting phase, tuning and spread control on up to 8 voices.



DRUM

Designed for the creation of rhythmic and percussive sounds, DRUM utilizes both a pitched oscillator and noise generator. Both pitched and noise oscillators sport discrete AD amplitude envelopes with the former providing pitch modulation. EQ and distortion are available in the master section for broad shape control.






ANALOG STACK

An 8-voice implementation of the Analog oscillator designed to facilitate the rapid layering. Each voice utilizes the same basic engine found in the Analog oscillator, substituting the Unison and Sync sections for Pan and Gain to facilitate spatial and level mixing and a pitch section for subtle to extreme voice detuning.



FM

A four operator FM oscillator which can be used in either ratio or Hz modes and is arrangeable in one of 11 configurations. Additional operator controls include Fine Ratio/Freq Multiplier, Snap Ratio (which quantizes modulation frequencies to harmonics) and Start Phase.






NOISE

A robust noise oscillator offers 15 unique noise shapes including Band, S&H, Static I, Static II, Violet, Blue, White, Pink, Brown, Lorenz, Rossler, Crackle, Logistic, Dust and Velvet. Dynamic shapes provide additional control such as Static Density and Logistic Chaos.



ORGAN

A drawbar-style organ oscillator with 8 bars representing different harmonics traditionally used on pipe organs. ORGAN provides discrete Gain and Pan controls for each partial and a percussion section with Fast/Slow and Harmonic controls. Pair with the rotary effect for a classic organ sound.






PLUCK

A physically inspired string synthesis module, Pluck utilizes both algorithmic and sample-based excitations to create rich harmonic sounds with natural decay. Choose from a selection of factory impulses or load your own samples, modulate sample start time and tune, adjust the initial excitation, coupling of multiple strings, and finally contribution of sample, synth and noise generators.



WAVETABLE

A fully-featured wavetable oscillator provides multiple phase distortion modes and a robust unison section with wave and stereo spread across up to 8 voices and FM support. Modulate the Wave Index to sweep through wavetables which can be chosen from a large selection of factory content. Wavetable can also import a variety of user files including WAV files (single or sequential), user tables or graphic image files which are converted pixel-rows to cycles, brightness to amplitude.






ADDITIVE

An easy-to-use additive oscillator inspired by classic subtractive synthesis, with additive twists like partial stretching, frequency shifting, fractional order filtering, even/odd harmonic control, continuous morph from square to saw and more...







SAMPLING
[color=rgb(51, 51, 51) !important]At the heart of Falcon’s sample oscillators is a full-fledged sample editor allowing you to quickly make changes to your samples without moving to an external application. Crop, normalize, silence, reverse, add fades, or even bounce Falcon’s effects to your sample in place. Additionally, you can select multiple files and batch them all at once.

SAMPLE

[color=rgb(51, 51, 51) !important]A no-frills workhorse sample oscillator, ideal for basic soundboards and traditional sample playback. The Sample display can be interactively resized and provides editing functions such as crop, normalize, silence, reverse and fade in/out along with the ability to apply any of Falcon's effects in-place. Due to Falcon’s ability to efficiently stream samples from disk you can manage tens of thousands of samples at once without a massive RAM footprint.



SLICE

[color=rgb(51, 51, 51) !important]Ideal for rhythmic and percussive material, the Slice oscillator can divide samples into discrete keygroups to be resequenced. Adjust transient sensitivity manually or use embedded markers like those found in REX files. Drag-and-drop export of sliced file maps in a variety of ways including as a Falcon patch, discrete WAV files, or MIDI sequence.








本帖最后由 Bitwig 于 19-10-15 08:37 编辑

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