骇客帝国电影音乐制作设备清单---
制作人：DON DAVIES
Studio Name: Hacienda Studio
Location: Calabasas, CA
Console: Four cascaded Yamaha 02R96's.
Keyboards: Yamaha Disklavier and EX-5.
Midi Sound Modules: 2 Gigastudios; Kurzweil K2500R; EMU Emulator E4X; Korg Wavestation SR; 12 Roland S- 760 Samplers; Waldorf Q synthesizer; Nord Rack 2 synthesizer.
Monitoring: 3 Genelec 1032A (for left-center-right monitoring); 4 Event 20/20bas (surround); M&K MPS- 150 subwoofer; Lucasfilm THX CC4.5.
Amplifiers: Hafler Pro2400 and P1000.
Computers & Software: Mac G4/dual processor; Mac G4 Titanium Laptop; Mac G3/300; Bit 3 PCI expansion chassis; Digidesign Pro Tools HD; two HD Process cards; Atto SCSI accelerator card; Aurora Fuse video card; Samsung 770 TFT 17" LCD monitor; Viewsonic G810 computer monitor; Viewsonic E771 computer monitor; 120GB firewire drive; 70- and (2) 36-GB Glyph hard drives; 2 rack-mounted PC systems.
Audio and MIDI Software: Digidesign Pro Tools HD; Pro Tools Plugins: Ampfarm, Waves Gold, TC MegaVerb, Reverb One, Virus synthesizer; MOTU Digital Performer 4.0; Adobe Premiere Video Editor; CODA Finale 2003; MOTU Mosaic; Native Instruments FM7; Native Instruments Reaktor; Ableton Live!
Video Playback: Panasonic AG-DS555 video deck; Daewood DVD player; Panasonic DVD player; Sony 32-inch video monitor.
Recorders: TASCAM DA-88; TASCAM DA-45 hr (24-bit DAT recorder) and DA-302 (dual DAT); Panasonic SV- 3700.
Outboard Gear: Lexicon 300L Digital Effects System w/LARC; Lexicon PCM-91 Digital Reverberator; Eventide H3500 Ultra-harmonizer; TC Electronics Fireworx and Finalizer; Roland SRV-2000 reverb; Yamaha SPX-90; Drawmer dl241 (dual comp); dbx 120xp Subharmonic Synthesizer
Synchronization and Interface: Aardvark Aardsync II and Sync DA; Burst SG-4; MOTU Digital Time Piece and 4 MIDI Time Piece AV's; 2 Digidesign 192 I/O interfaces; Apogee AD-8000 Analog/Digital Converter; Digimax Presonus Microphone Pre-Amps
Power Conditioning Equipment: Equi=Tech ET12.5 Symmetrical Power System.
Studio Notes: Hacienda Studio was conceived as a multifunction facility that can accommodate the various components of film and music synchronization. Its primary purpose is mixing, and it has the capability of handling 5.1 surround mixes with 24-bit resolution, remaining entirely in the digital domain. The room has been acoustically treated and tuned for accuracy in music monitoring. It also has an ample isolation area with tie lines to accommodate the recording of small live instrumental ensembles, drums, vocals, and piano.
Larry Mah, Engineer
Michael Jay, design consultant and project supervisor
Room Design by Chris Pelonis of Pelonis Sound and Acoustics
Rick Ruzzamente, acoustical interiors and installation
Mark Casselman, wiring and patchbay installation
Desk built by KK Audio, modified by Tom Steele for O2R96s.
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Studio Name: Hacienda Studio
Location: Calabasas, CA
Console: Four cascaded Yamaha 02R96's.
Keyboards: Yamaha Disklavier and EX-5.
Midi Sound Modules: 2 Gigastudios; Kurzweil K2500R; EMU Emulator E4X; Korg Wavestation SR; 12 Roland S- 760 Samplers; Waldorf Q synthesizer; Nord Rack 2 synthesizer.
Monitoring: 3 Genelec 1032A (for left-center-right monitoring); 4 Event 20/20bas (surround); M&K MPS- 150 subwoofer; Lucasfilm THX CC4.5.
Amplifiers: Hafler Pro2400 and P1000.
Computers & Software: Mac G4/dual processor; Mac G4 Titanium Laptop; Mac G3/300; Bit 3 PCI expansion chassis; Digidesign Pro Tools HD; two HD Process cards; Atto SCSI accelerator card; Aurora Fuse video card; Samsung 770 TFT 17" LCD monitor; Viewsonic G810 computer monitor; Viewsonic E771 computer monitor; 120GB firewire drive; 70- and (2) 36-GB Glyph hard drives; 2 rack-mounted PC systems.
Audio and MIDI Software: Digidesign Pro Tools HD; Pro Tools Plugins: Ampfarm, Waves Gold, TC MegaVerb, Reverb One, Virus synthesizer; MOTU Digital Performer 4.0; Adobe Premiere Video Editor; CODA Finale 2003; MOTU Mosaic; Native Instruments FM7; Native Instruments Reaktor; Ableton Live!
Video Playback: Panasonic AG-DS555 video deck; Daewood DVD player; Panasonic DVD player; Sony 32-inch video monitor.
Recorders: TASCAM DA-88; TASCAM DA-45 hr (24-bit DAT recorder) and DA-302 (dual DAT); Panasonic SV- 3700.
Outboard Gear: Lexicon 300L Digital Effects System w/LARC; Lexicon PCM-91 Digital Reverberator; Eventide H3500 Ultra-harmonizer; TC Electronics Fireworx and Finalizer; Roland SRV-2000 reverb; Yamaha SPX-90; Drawmer dl241 (dual comp); dbx 120xp Subharmonic Synthesizer
Synchronization and Interface: Aardvark Aardsync II and Sync DA; Burst SG-4; MOTU Digital Time Piece and 4 MIDI Time Piece AV's; 2 Digidesign 192 I/O interfaces; Apogee AD-8000 Analog/Digital Converter; Digimax Presonus Microphone Pre-Amps
Power Conditioning Equipment: Equi=Tech ET12.5 Symmetrical Power System.
Studio Notes: Hacienda Studio was conceived as a multifunction facility that can accommodate the various components of film and music synchronization. Its primary purpose is mixing, and it has the capability of handling 5.1 surround mixes with 24-bit resolution, remaining entirely in the digital domain. The room has been acoustically treated and tuned for accuracy in music monitoring. It also has an ample isolation area with tie lines to accommodate the recording of small live instrumental ensembles, drums, vocals, and piano.
Larry Mah, Engineer
Michael Jay, design consultant and project supervisor
Room Design by Chris Pelonis of Pelonis Sound and Acoustics
Rick Ruzzamente, acoustical interiors and installation
Mark Casselman, wiring and patchbay installation
Desk built by KK Audio, modified by Tom Steele for O2R96s.