电子音乐 1900s……1960s
The Telharmonium at Telharmonic Hall in 1906.
The photo shows Luigi Russolo, Filippo Marinetti, Ugo Piatti, 1913.
In the photo, Leon Theremin performs in New York in 1927. Courtesy Robert Moog.
The photo shows Antheil in 1926 next to an airplane propellor.
The photo shows an Ondes Martenot.
The photo shows Sala's Mixturtrautonium, probably in the 1940s.
The photo shows the Hammond organ model B3
The photo shows Cage in 1947, composing 'Sonatas and Interludes' for prepared piano.
The photo at the left shows Pierre Schaeffer in 1952 playing the phonogｅne ａ clavier, a tape recorder with its speed altered by playing any of twelve keys on a keyboard. Courtesy GRM.
The photo at the left shows Otto Luening (left) and Vladimir Ussachevsky (right) in the tape studio at Columbia University in New York, around 1960.
The photo at the left shows Pierre Henry in 1952 at the Salle de L'Ancien Conservatoire in Paris, manipulating the spatial distribution of sounds. He is using the pupitre d'espace (space control), a device utilizing induction coils, built by Jacques Poullin in 1951 at Pierre Schaeffer's suggestion.
The WDR studio in the late 1950s.
Hugh Le Caine demonstrates the Electronic Sackbut in 1954. Courtesy Gus Ciamaga.
The photo at the left shows Stockhausen in Cologne in 1958. Courtesy Stockhausen-Verlag.
The photo at the left shows a flying saucer landing in Forbidden Planet.
The photo at the left shows Lejaren Hiller at the control console of the Experimental Music Studio in the 1960s
The photo at the left shows Iannis Xenakis working at the GRM studios, ca 1958.
The photo at the left shows the Philips Pavilion at the Brussels World's Fair in 1958. Courtesy Philips Corporation.
Left: Milton Babbitt at the RCA Mark II Electronic Music Synthesizer in the Columbia-Princeton Electronic Music Center, circa 1960. Courtesy Milton Babbitt.
Jean-Claude Risset explains a computer- synthesized trumpet tone to a group of colleagues at Bell Labs in 1964.
John Eaton seated behind the Synket in 1964.
The photo shows Robert Moog (front) and Jon Weiss (rear) in the R. A. Moog Studio, Truman**urg, N.Y., in the late 1960s. Courtesy Robert Moog.
The photo shows Morton Subotnick (left) and Ramon Sender (right) in front of a 3-track Ampex tape recorder. Photo courtesy Ramon Sender.
The photo is an example of the Buchla Modular Electronic Music System Series 200, available during the late 1960s. Courtesy Donald Buchla.
The photo shows Alvin Lucier seated, wearing an electrode headband, performing Solo. Photo by Phil Makanna. Courtesy Alvin Lucier.
The photo shows the technical table for Variations V, with John Cage (left), David Tudor (center), and Gordon Mumma (right). Photo courtesy Merce Cunningham Dance Company.
The photo shows Gordon Mumma playing Hornpipe in 1967. As Mumma played the French horn, a circuit analyzed and responded to the resonant frequencies of the performance space.
The photo shows Morton Subotnick, Los Angeles 1977. Photo by Joel Chadabe.
The photo shows Emmanuel Ghent in the analog studio at Bell Labs in the early 1970s. Courtesy Emmanuel Ghent.
The photo shows Lejaren Hiller and John Cage working on HPSCHD at the University of Illinois in 1967. Courtesy The John Cage Trust.
Tristram Cary working with the VCS-3 in his studio in Fressingfield, England, 1972. Courtesy Tristram Cary.