混响增强器：SPL Mo-Reverb Plus的奇妙功效
前言：
- Mo-Verb Plus & Transient Designer Plus
The Mo-Verb Plus MicroPlug employs the same processing technique as the original Transient Designer Plus. SPL’s Differential Envelope Technology revolutionized dynamic processing with a level-independent method. And now, the Mo-Verb sounds more like SPL’s original hardware than ever.
This radically different approach eliminates the need to set a threshold. Other parameters are set automatically and in a musical manner as they follow the characteristics of the input signal. After all, only one control is needed to reshape the reverb characteristics of a sound.
微型插件Mo-Verb Plus采用了来自与原始Transient Designer Plus相同的处理技术。SPL的相异包络技术（DMT）通过了基于电平的管理方案重新地变革了动态处理流程。
现在，Mo-Verb的声音比以往更像硬件。这种截然不同的方法摆脱了设置阈值的需要。 其他参数按照音频方式自动设置，因为它们遵循输入信号的特性。 毕竟，只需要一个控件来重塑声音的混响特性。
- Working with Mo-Verb Plus ...（搭配Mo-Verb Plus进行混音）
... is disarmingly simple: All reverb events can be amplified – regardless of their signal level. However, the possibilities for studio and live applications are seemingly endless.
....也忒tm简单了：所有的混响事件都能被放大 - 与它们的信号电平无关。然而，对于录音棚与现场扩声应用来说，放大混响信号的可能性似乎是无穷无尽的。
Amplify the reverb curves of any sound event to enhance dry ambiences and reverb-tails (see “Applications” on pages 9 and 10 for more examples).
The Mo-Verb Plus also offers a limiter and an output gain control that allows users to compensate for level changes after processing the signal. This ensures a simple and safe adjustment of levels and helps with avoiding internal clipping. It also includes a large, photo-realistic user interface with an intuitive multi-bank system for fast comparisons, and up to 32 steps of “Undo” history.
放大任何声音事件的混响曲线以增强干燥的环境与混响（敬请参阅：P9,10 - 应用.获取更多示例）.
Mo-Verb Plus还提供了一个限幅器和输出增益控制以允许用户在处理信号后补偿电平变化。对于电平来说，它能提供简单并且安全的调整方式，并帮助解决内部削波现象。
它还有一个巨大的、看起来像那么一回事的用户界面。其中包括比如多个预设库系统 - 以加快对比流程，以及高达32步的撤回历史。
- MSRP
$ 49.00 (MEGA Incl.)
- Product Page
https://www.plugin-alliance.com/en/products/spl_mo-verb_plus.html
- Plugin Formats
本帖最后由 qianyao 于 19-9-20 20:51 编辑
观众反应
这个插件可以让你的混响尾巴像硬件一样自然，没什么好说的，靠耳朵慢慢感受。
主要是以下几个示例，其实是实用性比较高的。
原文：
The following examples are given as suggestions and examples. The described procedures with specific instruments can of course be transferred to others which are not mentioned here.
Drums & Percussion
• Adjust the apparent “distance” of the microphone by simply varying REVERB-ENHANCEMENT values.
• If your drums happen to sound as if the room mics have been placed in a shoe closet, the Mo-Verb can immediately turn that sound into the ambience of an empty warehouse. Slowly increase REVERB-ENHANCEMENT values to bring up the room tone. For a solid and driving rhythm track just fine-tune the settings to make sure that the room mic envelope ends more or less exactly on the desired upbeat or downbeat.
Guitars
• Increase distortion with a sustain period. If you want to create soaring guitar solos that would make even David Gilmour blush, just crank up the REVERB-ENHANCEMENT control to the max and there you go.
• On acoustic guitar tracks you can emphasize the room sound by turning up REVERB-ENHANCEMENT.
Backing Tracks
• A common problem especially with tracks that are recorded and mixed in different studios: Backings lack of ambience, and finding a reverb that “matches” takes time ... so simply emphasize the original ambience by turning up the REVERB-ENHANCEMENT control.
本帖最后由 qianyao 于 19-9-20 20:40 编辑
主要是以下几个示例，其实是实用性比较高的。
原文：
The following examples are given as suggestions and examples. The described procedures with specific instruments can of course be transferred to others which are not mentioned here.
Drums & Percussion
• Adjust the apparent “distance” of the microphone by simply varying REVERB-ENHANCEMENT values.
• If your drums happen to sound as if the room mics have been placed in a shoe closet, the Mo-Verb can immediately turn that sound into the ambience of an empty warehouse. Slowly increase REVERB-ENHANCEMENT values to bring up the room tone. For a solid and driving rhythm track just fine-tune the settings to make sure that the room mic envelope ends more or less exactly on the desired upbeat or downbeat.
Guitars
• Increase distortion with a sustain period. If you want to create soaring guitar solos that would make even David Gilmour blush, just crank up the REVERB-ENHANCEMENT control to the max and there you go.
• On acoustic guitar tracks you can emphasize the room sound by turning up REVERB-ENHANCEMENT.
Backing Tracks
• A common problem especially with tracks that are recorded and mixed in different studios: Backings lack of ambience, and finding a reverb that “matches” takes time ... so simply emphasize the original ambience by turning up the REVERB-ENHANCEMENT control.
本帖最后由 qianyao 于 19-9-20 20:40 编辑
