效果器 / 插件

我排版学不来狗哥那种工整的，我自己看着胡B来了哈，接着：
Introduction
Acustica is pleased to release Crimson, the first Dreamware Dynamic Overdrive Acqua Plugin based on our brand new Core11 technology.
We can’t but say it again: we are very proud to release CRIMSON, the first Acqua Effect plug-in expressely devoted to saturation and distortion.
We believe it will be appreciated by mastering and mixing engineers for its precise, punchy, clear compression, its wealth of colorful distortion flavors and, last but not least, its proprietary ‘Super Saturation’ mode. We specifically coined a new definition for this product: Dreamware Dynamic Overdrive.We believe this is the most appropriate name for an absolutely unique plugin, a real gem characterized by a number of surprising features.Details
It is common believe that software isn’t yet able to mimic the intricate details of saturation and distortion in overdriven analog devices.
With CRIMSON we firmly believe that we have come really close to the real behavior of analog saturation; it’s a result we achieved at the end of a long research and improvement phase of our technology. Therefore we invite you to consider even just few audio tests with CRIMSON, if you want to get a grasp of the real potential of this powerful processor, one that we hope will eventualy become an irreplaceable tool in your audio processing arsenal.

Crimson is a powerful and complex processor; the manual will help you learn your way through its many versatile functions.
A thorough understanding of this innovative and unique plug-in is highly recommended in order to explore all its innumerable, radical sound-shaping possibilities.
We at Acustica are very proud of this latest technological advancement of ours.

We believe that CRIMSON is the perfect choice for those who intend to bring warmth and character to the signal path. Thanks to our state-of-art sampling technology, today you are provided with all the sonic traits of an overdriven hardware unit in a convenient plug-in format! A fantastic product that by all means is waiting to become an essential part of your equipment.
https://audiobar.cn/forum.php?mod=attachment&aid=NDI3NzA2fGVkMmEyZmZjZTA0NTQ4MGVlM2VlOGQyM2Q2ZDA0NjEyfDE3NTMwNDkwMjc%3D&request=yes&_f=.jpgattach://427707.jpg


这应该是正版的事儿，其他版本我不知道哈，
有兴趣的自己研究官网：
http://www.acustica-audio.com/in ... mart&Itemid=189

好家伙，插件的音质我只服这公司

这家音质确实没得说，确实特别牛逼，
但是吧，咱也实话实说哈，
他们家出的所有插件都不是某著名厂牌的复刻版，
只是他们建模的AA，
就绝对不能当成原厂货那种方式来进行处理。
当然，也是资源占用大户

虽然我混音很菜，不过我也不太喜欢那些模拟的插件，数字用的多一点哈哈，但是这家的插件我试用过几个，音质的确秒杀当下大部分主流插件，但是体积太过庞大、太吃电脑资源是软肋

这是采样的哪个插件呢

官网的那几个免费版的 有没有朋友下载全了 求一份

这也太逼真了，美工真心一流

是的，美工没的说

你要是这么说，可能你还不了解这家公司。有些东西冠名是需要费用的，比如UAD可以堂而皇之的说，我这是1176，我这是NEVE1073。也有那种大家心知肚明的操作，比如板岩的FG-N，FG-16是什么大家心里也都有数。
并不是如你所言，都是自己建模的，那就太没意思了。

哎兄弟，非也非也，
我并不是说他们自己瞎折腾的哈，
我只是说AA采样之后做的风格和原始产品风格有区别，
呈现出来的太AA，仅此而已

看上去好像是模拟Vertico的VSM-3?

这是采样哪个硬件？有没有大神懂。我的试用次数用完了，不然就下来试试看

东西是好东西 就是用不了几个 占用资源太大 又爱又恨啊 心里话 花了1万来块买完 没用上几次

哈哈哈哈，
这货就不是拿来干单轨的，
你做个submix bus或者master就很好，
或者，你用AU格式离线算进去，也行

本帖最后由 jelon007 于 17-12-27 20:51 编辑

没错，好多插件公司都在模仿，只不过看谁的建模技术更无限接近原硬件了