AudioWarrior 发布 Studio Rhodes Plugin
http://www.audiowarrior.com/KREATOR.STUDIO.RHODES.PLUGIN.html
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STUDIO RHODES Plugin
VST † AU † ReWire † Standalone
The tuning forks themselves are "unbalanced" or asymmetrical: one arm consists of a short, stiff metal rod
(essentially a stiff wire) called a "tine" which is struck by the hammer, and the other arm is a tuned resonator resembling a piece of metal bar stock, sized to sound the appropriate note. The actual sounded note is too soft to be practical, so each tine vibrates in front of an electric-guitar-style magnetic pickup. The pickups' output is fed to an amplifier which can be adjusted to produce the desired volume.
The sound produced has a bell-like character not unlike a celesta or glockenspiel. Because the instrument produces sound electrically, the signal can be processed to yield many different timbral colors. Often the signal is processed through a stereo tremolo (which was called Vibrato on the Rhodes front panel) effects unit, which pans the signal back and forth between right to left; it is this "rounded" or chiming sound that is most typically called a classic Rhodes sound, which can be heard on, for example, many of Stevie Wonder's songs. The preamp with stereo panning is included on the "suitcase" models; the "stage" models lack the preamp.
In the 1980s a set of Rhodes modifications done by a company called "Dyno My Piano" became popular: it made the sound brighter, harder, and more bell-like. It can be heard on many records from that time. When notes are played forcefully, the sound becomes less sweet, as nonlinear distortion creates a characteristic "growling" or "snarling" overload—skilled players can contrast the sweet and rough sounds to create an extremely expressive performance.
Artists who played Rhodes
The Rhodes was particularly popular from the late 60's-early 80's, and many of its signature songs date from this period: The Doors' "Riders On The Storm", "Just the Way You Are" by Billy Joel, "Still Crazy After All These Years" by Paul Simon, "Babe" by Styx, "You Are The Sunshine Of My Life" by Stevie Wonder, "Peg" by Steely Dan, "Gotta Serve Somebody" by Bob Dylan, the intro to "Sheep" by Pink Floyd, and the theme from Taxi by Bob James.
Ray Charles played "Shake Your Tailfeather" on a Rhodes in the music store scene in the Blues Brothers movie.
The Rhodes was also used much in jazz-fusion throughout the 1970s. Chick Corea's album Light as a Feather and Miles Davis's In a Silent Way featured the Rhodes throughout the whole album. Joe Zawinul of Weather Report, Jan Hammer of the Mahavishnu Orchestra and Herbie Hancock also used the Rhodes. Steely Dan used the Dyno-My-Piano modified Rhodes on many recordings such as "Hey Nineteen," "Kid Charlemagne," "My Rival," with a phaser on "The Fez," and on most of their newer recordings.
More recently, the Rhodes has seen a resurgence in popularity and has been adopted by a number of bands, including Radiohead (heard most prominently on OK Computer and Kid A), The Appleseed Cast, Super Furry Animals, Eisley, The Arcade Fire, Tori Amos, Wilco, Thrice, R.E.M., Hot Hot Heat, Cake (the Rhodes is in "Sheep Go To Heaven" in the background chords of the chorus), and Glenn Danzig of the Misfits. It has also seen a large resurgence in the genre of "Jam Bands," being used regularly by Phish, The String Cheese Incident, Medeski Martin and Wood, Leyline and The Special Purpose. Heavily filtered or processed Rhodes piano samples have become canon for contemporary dance-oriented electronic music genres.
In addition, the Rhodes has seen heavy usage in hip hop—especially that of a more jazzy nature. This can be seen with artists such as Mos Def and Talib Kweli are Black Star, Blackalicious, Jurassic 5, A Tribe Called Quest, and others.
VST † AU † ReWire † Standalone
STUDIO RHODES Plugin
VST † AU † ReWire † Standalone
Rhodes Mark II 73 Stage Piano
The Rhodes piano was invented in the 1940s by Harold Rhodes,and its principles are derived from both the celesta and theelectric guitar. The action is similar to that of a conventional piano, but whereas in a conventional piano each key causesfelt-covered hammers to strike sets of strings, in a Rhodespiano rubber-tipped hammers strike tuning fork-likeconstructions to sound the note.
The Rhodes piano was invented in the 1940s by Harold Rhodes,and its principles are derived from both the celesta and theelectric guitar. The action is similar to that of a conventional piano, but whereas in a conventional piano each key causesfelt-covered hammers to strike sets of strings, in a Rhodespiano rubber-tipped hammers strike tuning fork-likeconstructions to sound the note.
Sound producing mechanism.
The tuning forks themselves are "unbalanced" or asymmetrical: one arm consists of a short, stiff metal rod
(essentially a stiff wire) called a "tine" which is struck by the hammer, and the other arm is a tuned resonator resembling a piece of metal bar stock, sized to sound the appropriate note. The actual sounded note is too soft to be practical, so each tine vibrates in front of an electric-guitar-style magnetic pickup. The pickups' output is fed to an amplifier which can be adjusted to produce the desired volume.
The sound produced has a bell-like character not unlike a celesta or glockenspiel. Because the instrument produces sound electrically, the signal can be processed to yield many different timbral colors. Often the signal is processed through a stereo tremolo (which was called Vibrato on the Rhodes front panel) effects unit, which pans the signal back and forth between right to left; it is this "rounded" or chiming sound that is most typically called a classic Rhodes sound, which can be heard on, for example, many of Stevie Wonder's songs. The preamp with stereo panning is included on the "suitcase" models; the "stage" models lack the preamp.
In the 1980s a set of Rhodes modifications done by a company called "Dyno My Piano" became popular: it made the sound brighter, harder, and more bell-like. It can be heard on many records from that time. When notes are played forcefully, the sound becomes less sweet, as nonlinear distortion creates a characteristic "growling" or "snarling" overload—skilled players can contrast the sweet and rough sounds to create an extremely expressive performance.
Artists who played Rhodes
The Rhodes was particularly popular from the late 60's-early 80's, and many of its signature songs date from this period: The Doors' "Riders On The Storm", "Just the Way You Are" by Billy Joel, "Still Crazy After All These Years" by Paul Simon, "Babe" by Styx, "You Are The Sunshine Of My Life" by Stevie Wonder, "Peg" by Steely Dan, "Gotta Serve Somebody" by Bob Dylan, the intro to "Sheep" by Pink Floyd, and the theme from Taxi by Bob James.
Ray Charles played "Shake Your Tailfeather" on a Rhodes in the music store scene in the Blues Brothers movie.
The Rhodes was also used much in jazz-fusion throughout the 1970s. Chick Corea's album Light as a Feather and Miles Davis's In a Silent Way featured the Rhodes throughout the whole album. Joe Zawinul of Weather Report, Jan Hammer of the Mahavishnu Orchestra and Herbie Hancock also used the Rhodes. Steely Dan used the Dyno-My-Piano modified Rhodes on many recordings such as "Hey Nineteen," "Kid Charlemagne," "My Rival," with a phaser on "The Fez," and on most of their newer recordings.
More recently, the Rhodes has seen a resurgence in popularity and has been adopted by a number of bands, including Radiohead (heard most prominently on OK Computer and Kid A), The Appleseed Cast, Super Furry Animals, Eisley, The Arcade Fire, Tori Amos, Wilco, Thrice, R.E.M., Hot Hot Heat, Cake (the Rhodes is in "Sheep Go To Heaven" in the background chords of the chorus), and Glenn Danzig of the Misfits. It has also seen a large resurgence in the genre of "Jam Bands," being used regularly by Phish, The String Cheese Incident, Medeski Martin and Wood, Leyline and The Special Purpose. Heavily filtered or processed Rhodes piano samples have become canon for contemporary dance-oriented electronic music genres.
In addition, the Rhodes has seen heavy usage in hip hop—especially that of a more jazzy nature. This can be seen with artists such as Mos Def and Talib Kweli are Black Star, Blackalicious, Jurassic 5, A Tribe Called Quest, and others.
VST † AU † ReWire † Standalone