RELEASE INFO: 咣圹圹圹圹哌哌 ??
~~~~~~~~~~~~~
The Inner Life of Sound
As a benchmark for the future of soft-synths, the powerful semi-modular
architecture and clean interface of ABSYNTH make it effortless to sculpt
everything from organic textures to rhythmic madness to vintage sounds.
ABSYNTH磗 unique strengths lie in its multiple synthesis techniques
combined with the most flexible envelope control ever. Forget everything
you know about modulation - with ABSYNTH you can create everything from
timbrally morphing percussive loops to physical modelling textures to
time-evolving soundscapes. Any parameter adjusted in ABSYNTH is
immediately heard without clicks or glitches. For a taste of the
intoxicating power of ABSYNTH, try drawing the shape of your LFO with the
mouse while twelve 68-point rhytmic envelopes twist your sound as you
perform on a keyboard or MIDI sliderbox.
Patching and Waveforms
ABSYNTH磗 flexible patching scheme makes it easy to combine subtractive,
FM, AM, ring modulation, and waveshaping. Six oscillators, four filters,
three ring modulators, a waveshaper (distortion) and a delay processor are
available per voice along with the unprecedented graphical modulation
capabilities. Start creating sounds immediately in Absynth磗 Patch Window
- just click on a module to activate and play - no need to create your own
structures. ABSYNTH磗 waveform editor allows you to freely model your
own waveforms which can be used by oscillators, LFO磗 and as waveshaping
distortion functions. Draw waves directly or use the spectrum mode to
trim individual harmonics. Mix, modulate, filter or fractalize waves.
Best of all, you hear the results continuously while you edit. Waveforms
become an expressive parameter that adds new depth to classic synthesis
techniques like FM and ring modulation.
LFOs and Envelopes
The 3 LFOs can each modulate pitch, amplitude, filter, FM depth, pan or
delay time. Sample and Hold turns the waveform into a discrete step
function, a classic effect of modular analog synths. Best of all,
waveforms can be drawn and edited directly in the Waveform editor for
ultimate versatility and ease of use. ABSYNTH gives you more than a dozen
envelopes with up to 68 breakpoints each. Envelopes can loop or retrigger
to creating cyclic rhythms and constantly evolving ambient textures. The
Editor window displays multiple envelopes simultaneously, so you can
precisely sychronize the evolution of different layers of sound in time
against a tempo grid.
Effects, MIDI and Recording
Modulated delay effects can be tightly integrated into each patch.
DelaysDirectConnect, MAS, and ASIO to fit into any studio environment. It
is difficult to compare ABSYNTH to any other softsynth, but ABSYNTH is
among the most efficient software synthesizers yet. Maximize your
polyphony in multitimbral mode and still have plenty power left over for
mixing and composing. can be modulated by the 3 LFOs and MIDI
controllers just like ABSYNTH磗 other modules. Six parallel delay lines
modulated by Absynth抯 versatile LFOs are flexible enough to build
physical models of acoustic instruments. Delay times can be as short
as one sample and as long as 10 seconds - imagine controlling that with
your mod wheel! ABSYNTH is designed for maximum expressive control.
Parameters can be modulated by MIDI continuous controllers, aftertouch,
velocity and note number. Continuous controller input can be smoothed
with a lag control, making wide ranges possible (for example ? octaves
for pitch bend). Notes can control parameters through note scale maps,
where each parameter can have a different value for every note. Now
multiply everything you磛e read by eigh - run eight instances of ABSYNTH
in any VST 2.0 compatible host. Create massive rhythms ensembles or
ambient textures with hundreds of oscillators. ABSYNTH also supports