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[求助] 求推荐一款调音台(最好数字台)

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6cl
1791
#16 12-3-23 16:39 …
技术资料 Features:
  • Compact digital mixer with scalable, remote I/O
  • Systems from 4 to 44 mics
  • Easy to use, quick to access, analogue style interface
  • dSNAKE Cat5 digital snake—up to 120m cable length
  • 8.4 inch colour touchscreen for graphical view and setup
  • 20 faders, 4 layers, 80 channel strips in a freely customizable layout
  • 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
  • 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
  • Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
  • Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
  • LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
  • 16 DCAs / mute groups
  • Built-in Talkback, RTA and Signal Generator
  • I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
  • MIDI In/Out and Ethernet Network port
  • AviomTM compliant Monitor port on main AudioRack
  • High end 1dB step recallable mic/line preamps
  • User definable channel names and colours
  • Engineer’s mono Wedge and stereo IEM strips
  • Input, output and insert soft patchbays
  • Quick copy, paste and reset of mixes and parameters
  • Libraries, Scenes and Show memories with USB transfer
  • Get started quickly with Template Shows
Specifications:
Inputs
  • XLR Mic/Line Inputs: Balanced, (All XLR on GLD-80 and AudioRacks)
      -  Mic/ Line Preamp: Fully Recallable
      -  Input Sensitivity: -60 to +15dBu
      -  Analog Gain: +5 to +60dB, ~1dB steps
      -  Pad: -20dB
      -  Maximum Input Level: +32dBu
      -  Input Impedance: >4kOhms (Pad Out), >10kOhm (Pad In)
  • Mic/ Line Channel noise: 20-20khz, Direct Out @ unbalanced out
      -  +127dB with 150Ohm source
      -  Unity Gain (Pad In): -90dBu
      -  Low Gain (5dB, Pad Out): -93dBu
      -  Mid Gain (30dB, Pad Out): -89dBu
  • Mic/ Line Channel THD + N: 20-20khz, Direct Out @ unbalanced out
      -  Unity Gain (Pad In): 0.005% -86dBu @ 1kHz, 0dBu output
      -  Low gain (5dB, Pad Out): 0.003% -89dBu @ 1kHz, 0dBu output
      -  Mid Gain (30dB, Pad Out): 0.004% -88dBu @ 1kHz, 0dBu output
  • RCA Line Inputs: Unbalanced (GLD-80)
      -  Input Sensitivity: -24 to +24dBu, nominal 0dBu
      -  Trim: +/- 24dB, recallable
      -  Maximum Input Level: +18dBu
      -  Input Impedance: >10KOhms
      -  RCA Channel Noise: -92dBu 20-20kHz
      -  RCA Channel THD + N: 0.0025% -90dBu @ 1kHz, 0dBu output
Outputs
  • XLR Outputs: Balanced, Relay protected
      -  Output Impedance: <75Ohms
      -  Nominal Output: +4dBu = 0dB meter reading
      -  Maximum Output level: +22dBu
      -  Residual Output Noise: -91dBu (muted, 20-20kHz)
  • RCA Line Outputs: Balanced, relay protected
      -  Output Impedance: <75Ohms
      -  Nominal Output: 0dBu = 0dB meter reading
      -  Maximum Output Level: +18dBu
      -  Residual Output Noise: -94dBu (muited, 20-20kHz)
  • Digital Outputs: 48kHz sampling rate
  • SPDIF: RCA, 600mV, coax-terminated input 75Ohms
  • AES3 (2ch XLR output): XLR, 2.5Vpp balanced terminated 110Ohms
Control
  • Faders: 100mm motorised
  • Fader Banks: 2 Independent banks - 12, 8 faders
  • Touch Screen: 8.4" TFT, 800x600 resolution
  • Control Strips: 4 Layers per Bank = 80x strips
  • Strip Display: LCD per strip, assignable backlight colours
  • SoftKeys: 10 assignable
  • MIDI: MIDI In and Out
  • Network: TCP/IP Ethernet (for future application)
Input Processing
  • 48 Input Processing Channels: Mono = 1-44, Stereo = 45/46, 47/48
  • Trim: +/-24dB digital trim
  • Polarity: Normal/Reverse
  • High Pass Filter: 12dB/octave 20Hz – 2kHz
  • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
  • Delay: Up to 85ms
  • Gate: Input global setting - ms, feet, meters, samples
      -  Sidechain: Self key, In/Out, Sel 'listen'
      -  Sidechain Lo-cut Filter: 12dB/octave, Freq 20Hz – 5kHz
      -  Sidechain Hi-cut Filter: 12dB/octave, Freq 120Hz – 20kHz
      -  Threshold: -72dBu to +12dBu
      -  Depth: 0 to 60 dB
      -  Attack: 50us to 300ms
      -  Hold: 10ms to 5s
      -  Release: 10ms to 1s
  • PEQ
      -  Type: 4-Band fully parametric, +/-15dB
      -  Frequency Range: Global setting for Inputs = 20-20kHz or 'Analogue'
      -  Analogue Ranges: 20-200Hz, 35-1kHz, 500-15kHz, 2k-20kHz
      -  Band 1: Selectable LF Shelving, Bell, Hi-Pass
      -  Band 2: Bell
      -  Band 3: Bell
      -  Band 4: Selectable HF Shelving, Bell, Lo-Pass
      -  Bell Width: Non-constant Q, variable, 1.4 to 1/9th octave
      -  Shelving Type: Classic Baxandall
      -  Hi-Pass, Lo-Pass Filter: 12dB/octave
  • Compressor
      -  Sidechain: Self key, In/Out, Sel 'listen'
      -  Sidechain Lo-Cut Filter: 12dB/octave, Freq 20Hz – 5kHz
      -  Sidechain Hi-Cut Filter: 12dB/octave, Freq 120Hz – 20kHz
      -  Threshold: -46dBu to 18dBu
      -  Ratio: 1:1 to infinity
      -  Attack: 300us – 300ms
      -  Release: 100ms – 2s
      -  Knee: Soft/Hard
      -  Manual Types: Peak Manual, RMS Manual
      -  Auto Types: VocalAuto, OptoAuto, PunchBag
  • Channel Direct Out: Individual Trim (per channel)
  • Options: Source, follow Fader, follow Mute (global for all)
Mix Processing
  • 20 Mix Processing Channels: Configure as mono/stereo Groups, Aux, Main, Matrix
      -  Mains = None, LR, LCR. LR+M(bus), LR+M(sum)
  • External Input: Assignable source
  • Trim: +/-24dB digital trim
  • Polarity: Normal/Reverse
  • Insert: Assign to any sockets, In/Out, +4dBu/-10dBV level
  • Delay: Up to 170ms
      -  Mix global setting - ms, feet, meters, samples
  • GEQ
      -  Type: Constant 1/3 octave, 28 bands 31Hz -16kHz
      -  Gain: +/-12dB
      -  GEQ Fader Flip Mode:
        -  2 overlapping frequency banks on strip faders
        -  layer 1 - 31-1kHz + Mix master fader
        -  layer 2 - 500-16kHz + Mix master fader
        -  SEL key resets frequency band to 0dB
        -  RTA following PAFL is displayed on strip meters
  • PEQ
      -  Type: 4-Band fully parametric, +/-15dB
      -  Frequency Range: Global setting for Mixes = 20-20kHz or 'Analogue'
      -  Analog Range: 20-200Hz, 35-1kHz, 500-15kHz, 2k-20kHz
      -  Band 1: Selectable LF Shelving, Bell, Hi-Pass
      -  Band 2: Bell
      -  Band 3: Bell
      -  Band 4: Selectable HF Shelving, Bell, Lo-Pass
      -  Bell Width: Non-constant Q, variable, 1.4 to 1/9th octave
      -  Shelving Type: Classic Baxandall
      -  Hi-Pass, Lo-Pass Filter: 12dB/octave
  • Compressor
      -  Sidechain: Self key, In/Out, Sel 'listen'
      -  Sidechain Lo-Cut Filter: 12dB/octave, Freq 20Hz – 5kHz
      -  Sidechain Hi-Cut Filter: 12dB/octave, Freq 120Hz – 20kHz
      -  Threshold: -46dBu to 18dBu
      -  Ratio: 1:1 to infinity
      -  Attack: 300us – 300ms
      -  Release: 100ms – 2s
      -  Knee: Soft/Hard
      -  Manual Types: Peak Manual, RMS Manual
      -  Auto Types:
        -  VocalAuto, OptoAuto, PunchBag
        -  filter in/out with sel ‘listen’
FX Processing
  • Internal FX: 8x RackFX engine
      -  Types: Reverbs, Delays, Modulators, Sub-harmonics etc.
      -  Mode: Send>Return, Inserted, Daisy Chain FX
  • FX 'Short' Return Channels
      -  8 Stereo dedicated returns: Adds to inputs for up to 56 sources to the mix
      -  Controls: Fader, Pan, Mute, Routing to Grp, Aux, FX, Main
      -  FX Return PEQ: Same as Input Channel PEQ
  • Talkback: Assignable source
      -  High Pass Filter: 12dB/octave, 20Hz-2kHz
      -  Routing: To Groups, Aux, Main, Matrix
  • Signal Generator: Sine, White Noise, Pink Noise, Bandpass Noise
      -  Sine, Bandpass Sweep: 20-20kHz
      -  Controls: Level, Mute
      -  Routing: To Groups, Aux, Main, Matrix
  • RTA: 31-Bands 1/3 octave 20-20kHz
      -  Source: Follows selected PAFL source
      -  Peak Band Indication: Option to display dominant frequency
System
(Measured balanced XLR in to XLR out, 20-20kHz, minimum Gain, Pad Out)
  • Dynamic Range: 112dB
  • System Signal-to-Noise: -90dB
  • Frequency Response: 0/-0.25dB @ 20Hz, 0/-0.5dB @ 20kHz
  • System Peak Level THD + N: 0.0055% -68dBu @ +17dBu output, 1kHz
  • System Line Level THD + N: 0.0022%, -84dBu @ +9dBu output, 1kHz
  • Headroom: +18dB
  • Internal Operating Level: 0dBu
  • dBFS Alignment: +18dBu = 0dBFS (+22dBu at XLR output)
  • Meter Calibration: 0dB meter = -18dBFS (+4dBu at XLR out)
  • Meter Peak Indication: -3dBFS (+19dBu at XLR out)
  • Meter Type: Fast (peak) response
  • Sapling Rate: 48kHz +/-100PPM
  • ADC: 24-bit Delta-Sigma
  • DAC: 24-bit Delta-Sigma
  • Latency:
      -  1.49ms (GLD-80 local XLR in to XLR out)
      -  0.68ms (GLD-80 local XLR in to digital out)
  • USB Playback: 2 channel, WAV, MP3, M4A, FLAC
  • USB Record: 2 channel, 44.1kHz / 16bit - WAV
  • I/O Port: 64 channel bi-directional
  • Card Options: A&H ACE, MADI, Dante, ES, Waves, MMO
  • Operating Temperature Range: 0 deg C to 35 deg C (32 deg F to 95 deg F)
Mains Power
  • GLD-80: 100-240V AC, 50/60Hz, 95W max
  • GLD-AR2412: 100-240V AC, 50/60Hz, 70W max
  • GLD-AR84: 100-240V AC, 50/60Hz, 20W max
Dimensions and Weights
  • GLD-80 Mixer Width x Depth x Height
      -  Unpacked: 730 x 577 x 159mm (28.7" x 22.7" x 6.2")
      -  Packed in Shipping Box: 930 x 730 x 290mm (36.6" x 28.6" x 11.4")
      -  Unpacked Weight: 16kg (35lbs)
      -  Packed Weight: 21kg ( 46lbs)
  • GLD-AR2412 AudioRack Width x Depth x Height
      -  Unpacked: 483 x 220 x 137mm (19" x 8.6" x 5.4") 3U rack
      -  Packed in Shipping Box: 600 x 350 x 250mm (23.6" x 13.7" x 9.8"
      -  Unpacked Weight: 5kg (11lbs)
      -  Packed Weight: 6.4kg (14lbs)
  • GLD-AR84 AudioRack Width x Depth x Height
      -  Unpacked: 483 x 220 x 48mm (19" x 8.6" x 1.9") 1U rack
      -  Packed in Shipping Box: 600 x 330 x 143mm (23.6" x 12.9" x 5.6")
      -  Unpacked Weight: 3kg (6.6lbs)
      -  Packed Weight: 4.4kg (9.7lbs)
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xiaobin
5
#17 12-3-25 00:51 …
同12楼！A&H性价比不错可选！SoundCraft了解不多！YAMAHA LS9大众化，运用广泛，便宜实惠，话放一般！
话筒看场合运用，87比较亮，一般比赛歌手，声音音域不够更不好。58圆润，人人可用。
学生个人见解！
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winniedady
605
#18 12-3-25 08:52 …
原帖 由 ziziaz 于 12-3-5 18:15 发表
某东北县级城市，要做一歌唱比赛，已确认需要用于电视直播。求各位推荐一款调音台。价格20W以内。越便宜越好。如推荐模拟台子，请再推荐一款效果器。
另外需要唱歌用话筒和现场用电容话筒，请推荐~谢谢，谢谢。


買台子也不是做一場兩場的事,從長遠跟你做的活動主要項目考量吧
電視直播成音是你做還是他做?
選數字台的好處是內部隱藏編組多,透過擴展卡你可以很自由的選擇派送
壞處是沒彩排設定時反應慢一點
如果你一台要做現場又要成音,錢是電視台給的,
那把總線與推子設定為成音吧
現場主擴與返聽利用輔助送吧
如果通道不多,其實用o1v96配adat8000來說是性價比最高的
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内酷
2164
#19 12-3-26 00:47 …
楼上啊,有家有20W,你让人家买01V96,
留下18W吃回扣啊?哈哈
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内酷
2164
#20 12-3-26 00:49 …
做现场,要表头多的准没错
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内酷
2164
#21 12-3-26 00:51 …
YAMAHA DM2000

[ 本帖最后由 内酷 于 12-3-26 01:25 编辑 ]
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liangshukai
32
#22 12-3-26 08:44 …
很简单吗，模拟调音台选择的话，编组至少要有8路，AUX至少也要也8路。可建议你选择 艾伦和声艺的台子，但一定要选择正品，效果器的话，如果你的英文水平可以，时间充沛，可选择,TCM-ONEXL 或者是YAMAHA 2000  SPX990 500 这些都还是不错，但一定要会调用和修改内部参数。 数字台子的话，我建议你选择M7C 。因为LS9的屏幕在太阳光下是根本看不清的。OK
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winniedady
605
#23 12-3-26 08:50 …
可以買sb168es或是ethercard.......解決送長距離的問題......



原帖 由 内酷 于 12-3-26 00:47 发表
楼上啊,有家有20W,你让人家买01V96,
留下18W吃回扣啊?哈哈
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joey_z
9
#24 12-3-27 09:44 …
soundcraft 的si系列呗si1加个卡弄个接口箱，20w拿下了肯定
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analog
458
#25 12-3-27 09:47 …
如果有20w的话 我推荐digico sd9
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joey_z
9
#26 12-3-27 15:05 …
原帖 由 analog 于 12-3-27 09:47 发表
如果有20w的话 我推荐digico sd9
……sd9 20w……求进货渠道……
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小生不才
3
#27 12-4-12 12:07 …

回复 6cl 在 #15 的 pid=3448844 的贴子

求价格。联系：13588795991
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