112dB Mikron Delay & Cascade & Reverb Incl Patched and Keygen-R2R
DATE : 2018.06.17 | NUMBER : R2R-6957 | SiZE : 7.1 MB
PLATFORM : WiN32/64 - VST/AAX(MODiFiED)
Mikron Delay has been inspired by the classic bucket brigade delays and tape delays of the past. We haven't tried to emulate one of those classics in particular, but tried to capture the essentials of these devices that make them sound so incredibly fantastic. Instead of making the perfect emulation of one specific device that we admire, we made a 'flexible vintage delay': to give you the opportunity to use all the cool 'tricks' of those old machines to create your own old school tape or bucket brigade delay.
Features
tape and bucket brigade delay hybrid
6 different bucket brigade models
extremely long delay times up to 4000ms
feedback overdrive for crazy feedback loops and awesome dub effects
tone function to zoom in on certain frequencies in the feedback loop
ping pong delay
spin function to mimic the subtle pitch variations of a tape delay
non standard sync times for interesting rhythmic patterns
intuitive, easy to use interface
low cpu
DATE : 2018.06.17 | NUMBER : R2R-6956 | SiZE : 7.24 MB
PLATFORM : WiN32/64 - VST/AAX(MODiFiED)
Mikron Cascade is the perfect tool to create atmospheric, ambient and drone soundscapes. It diffuses any sound input into a lively, lush, warm 'sound cloud'. The fine-tuned delay models are specifically designed to create organic cinematic atmospheres. A little detuning of the source material can build up interesting tensions. Play around with the density setting to go from distinct reflections to colored noise. Or freeze the input to build up resonating sounds.
Mikron Cascade has been originally developed as a sound effect for the Cascade synthesizer. Thanks to its complex delay network a sound run through Mikron Cascade can develop over time, adding extra dimensions to it. Which makes it the ideal plugin for those who are looking for a high quality ambient reverb, but one with far more complexity in it than usual.
Features
can densify any signal up to 5832 times, and turn a succession of sounds into colored noise
the carefully designed delay network will add a pleasant complexity to the sound over time
6 different delay network models (fine-tuned and adapted to hearing)
freeze shortcut to build up ambient sound spheres easily
spin function for a subtle pitch modulation that adds movement to the delays
tone function to zoom in on certain frequencies in the feedback loop
intuitive, easy to use interface
home page
DATE : 2018.06.17 | NUMBER : R2R-6958 | SiZE : 6.86 MB
PLATFORM : WiN32/64 - VST/AAX(MODiFiED)
With Mikron Reverb you can beam your music into the right atmosphere in a heartbeat. This colorful, stompbox inspired plugin is the little brother of our widely acclaimed Redline Reverb. It has the same warm and lush, 'lexicon-ish' sound, but a completely different mode of operation. In Mikron Reverb the majority of the parameters of Redline Reverb are hidden behind just a few intuitive knobs. It incorporates an intelligent algorithm that determines the ideal settings for those parameters for a wide variety of room characteristics.
The idea behind this algorithm is that when you dial in a certain kind of reverb you usually are not interested in the reverberations of all possible rooms and positions in those rooms, but only those that will give you a superb or interesting sound. There are a lot of concert halls, but only a few are praised for their acoustics. And there is only one spot in a concert hall were the band sounds at it’s best. It’s those great sounding reverberations that we tried to capture.
Or if you are interested in a bit more technical background: there is a reason that certain spaces sound great or that when you stand in the center of a room the sound is less good than when you move a little to the front. And that has everything to do with how the different parameters of the reverberations are balanced: early reflections, decay time etc. The ultimate formula for this is still unknown, one of the reasons why architects still have difficulties designing the perfect concert hall. But we think we have been able to come up with an approximation of it. We had one advantage. Unlike architects who have to take into account the annoying constraints of real world buildings we only had to focus on how sound moves through time in a musically pleasant way. Our formula is most definitely based on a personal preference, not on a universal truth. But we dare say that it does a hell of a job. What does this mean in practice? It saves you a lot of unnecessary tweaking. Whatever knob you turn, the reverberation keeps sounding great, just different.
Features
with a very few knobs you can create many different spaces
sound keeps evolving in a musically pleasing way
tonality remains intact overtime
extremely long reverb times (which makes it an excellent reverb for ambient sounds)
intuitive, easy to use interface
low cpu
NKS support
