如何录制铜管和木管中英文对照版-1
RECORDING BRASS & REEDS
Brass and reed instruments present some challenging problems to the recording engineer, whether played by soloists or sections. Hugh Robjohns offers some hints and tips.
Recording any musical instrument is a challenge if you want to capture a faithful rendition of the performance without distorting the tonal quality of the instrument or veiling it with undesirable mechanical noises. It seems to me that every instrument -- and I include the human voice in that description -- presents its own unique set of problems and solutions, and in this article I shall be looking at some of the techniques and pitfalls of recording brass and reed instruments, both as played by soloists and in sections.
As with any musical instrument, placing the microphone is much easier if you have an understanding of how the instrument works -- where the sound comes from, how it radiates from the instrument, and what its frequency and dynamic range is. So let's start with a brief look at the most common brass instruments to get a feel of what is involved.
铜管和木管乐器的录音心得
对铜管乐器和簧管乐器录音,无论是在独奏或是乐器组齐奏时都会对录音师提出新的问题和挑战.就此Hugh Robiohns 给出了一些提示和建议.
在给任何一种乐器录音时如果你想排除掉音质的失真和录音设备自身的静噪而达到录制最好的现场演奏效果.这肯定是个极大的挑战!对我而言每一个乐器的录音(作者注:包括人声录音)都有它自己独特的问题和解决方法,在这篇文章中我将就乐器中的铜管和簧管在录制独奏或它的乐器组时的方法和问题做一些说明.
其实在任何乐器录音时如果你清楚的了解这个乐器的工作原理(例如:该乐器的声音在那个部位发出又如何扩散和它的频率响应范围及动态范围)那么摆放话筒就是一件简单的事情了. 所以,我们首先来看一下所有铜管乐器共有的特性: