效果器 / 插件

刚在老地方一看吓我一跳，我以为我看错了。太疯狂了！

Description: THIS IS NOT A SCENE RELEASE:

Sonic Solutions' NoNOISE is the world's premier tool for restoring audio recordings. Its advanced processes isolate and eliminate audio artifacts such as hiss, scratches, hum, and mechanical and impulsive noise. NoNOISE is not a single process or software module, but a set of powerful tools to remove bothersome noise without damage to the program material. NoNOISE can be used to restore old recordings, remove unwanted noises from field recordings, and repair audio materials that have suffered damage.

Sonic Solutions' significant presence in the mastering and re-mastering world bears witness to the quality of their NoNOISE technology. The NoNOISE plug-in suite offers the same value as its far higher-priced SonicStudio counterpart by faithfully capturing the actual audio algorithms and algorithmic parameters found in the SonicStudio version.

Note: NoNOISE is only compatible with Pro Tools|HD and Pro Tools|HD Accel systems.

Details

NoNOISE is comprised of a suite of tools that address the full spectrum of noise issues, as well as offering both automatic and manual means of analysis and repair. Capabilities include frequency analysis, peak distortion removal, broadband denoising, click detection, production (automatic) declicking, manual declicking, and decrackling. The comprehensive nature of NoNOISE抯 feature set makes it ideal not only in the mastering and re-mastering stages of audio production, but also for many other audio treatments needed to restore, clean, or enhance recorded material.

The NoNOISE plug-in suite features both TDM and AudioSuite plug-ins. Broadband noise reduction is accomplished through a TDM plug-in for analysis and an AudioSuite plug-in for noise removal. A variety of useful high-resolution filters, also implemented as TDM plug-ins, include Presence, Notch, High and Low Shelf, High and Low Pass, DC-Removal, Emphasis, De-emphasis and more. AudioSuite plug-ins perform manual declicking, production declicking, and decrackling.

Features

* A powerful and versatile suite of TDM and AudioSuite plug-ins that faithfully capture Sonic Solutions' NoNOISE suite of processors
* The processors in NoNOISE include TDM and AudioSuite plug-ins that perform the following functions:

- Broadband Noise (hiss) Removal

- Manual and Production Declicking

- Decrackling

- A variety of High-Resolution Filters for removing artifacts such as hum and buzz, and for applying standard filter types commonly used in mastering including presence, notch, high and low shelf, band pass and band stop, DC-Removal, emphasis, de-emphasis, and RIAA/No RIAA
* NoNOISE is only compatible with Pro Tools|HD and Pro Tools|HD Accel systems.

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD rig (not sure about this, let us know)

Crack Notes

Cracked using XVX unpacer tool
ATTENTION: TDM version does NOT work, only AS, do not open it as TDM or your system will Crash or you will get Pro-Tools DAE error

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
AS ONLY, INTEL ONLY, NO RTAS

Test Notes

Tested on PT 8.0.1cs2 with HD rig on 10.5.8, please report if it works on 10.6.x aswell

=====================================================

以下是嵌入的网页：http://www.digidesign.com/index.cfm?langid=31&navid=115&itemid=3180


[ 本帖最后由 qopqopqop 于 10-7-8 00:07 编辑 ]

Description: THIS IS NOT A SCENE RELEASE:

Smack?is a new professional compressor/limiter plug-in designed specifically for music applications, but capable of accommodating virtually any kind of audio material with equal success. Smack! features three compression modes, unique compression ratios, and harmonic distortion ideally suited for achieving a wide range of sonic variations and colorations. Additionally, the plug-in supports side-chain processing, multichannel track types, and the full range of ProTools sample rates and plug-in formats.

Smack! has been developed for Pro Tools music makers who require a great-sounding, flexible and easy-to-use compression tool. Accurately modeling automatic gain reduction devices previously found only in hardware, Smack! controls the volume of just about any source in a very 搈usical?manner, adding fullness, intelligibility, and excitement to any track. Its user interface is intuitively constructed, with a look and feel reminiscent of vintage devices, enabling the user to create an amazingly wide range of tonal coloration with a minimal set of controls.

Features

* Foolproof operation ?Handles any kind of audio material with ease
* Three compression modes ?Includes a mode for emulating classic electro-optical limiters
* Unique compression ratios ?From subtle compression to hard limiting
* Harmonic distortion ?Add subtle analog-sounding distortion
* Side-chain support ?External or internal side-chain processing and a side-chain EQ
* Multichannel support ?For all Pro Tools multi-channel track types
* Full sample rate support ?For all Pro Tools sample rates including 192 kHz
* Supports AudioSuite, RTAS, and TDM plug-in formats

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD rig (for TDM version only)

Crack Notes

Cracked using XVX unpacer tool

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
INTEL ONLY

Test Notes

Tested on PT 8.0.1cs2 with HD Accel rig on 10.5.8, please report if it works on 10.6.x aswell

========================================

以下是嵌入的网页：http://www.digidesign.com/index.cfm?langid=31&navid=115&itemid=4461


[ 本帖最后由 qopqopqop 于 10-7-8 00:08 编辑 ]

俺是沙发！第一次啊！鸡动啊

Description: THIS IS NOT A SCENE RELEASE:

Avid brings the unmistakable warmth and punch of analog tape into the digital domain with Reel Tape Suite? This powerful collection of three plug-ins ?Reel Tape?Saturation, Reel Tape?Delay, and Reel Tape?Flanger ?is designed to beef up your mixes and add that elusive magnetic vibe to your live sound, without the hassle of actually owning and operating a reel-to-reel tape machine.

Reel Tape Saturation models the inherent warmth of classic analog tape machines and tape formulations with astounding accuracy, instantly infusing your music with an authoritative 搊ld-school?feel. Reel Tape Delay and Reel Tape Flanger duplicate electro-mechanical delay and flanging effects without cluttering your control room with large tape machines (or having to keep rewinding your echo tape), and give you real-time control over every nuance of these classic techniques.

These incredibly useful and easy-to-use plug-ins work with Pro Tools|HD Accel, Pro Tools LE, Pro Tools M-Powered, Avid Xpress, Avid Xpress DV, Avid DNA, and VENUE systems, and will become indispensable elements in your audio arsenal, whether you抮e mixing digital recordings or live sound.

Details

Add the richness of analog tape recordings and tape effects to your digital recordings or live audio easily and realistically with Reel Tape Suite? a collection of three plug-ins to warm up digital sound. All of the plug-ins feature streamlined interfaces with intuitive controls that are easy to work with, day in and day out. Whether you抮e a professional audio mixer, musician, or live sound engineer, Reel Tape Suite brings the vintage sound of analog tape to digital audio while providing all the advantages of today抯 state-of-the-art digital effects processors.

Reel Tape Saturation

Re-create the classic analog recording experience. Reel Tape?Saturation emulates the color characteristics, tape compression, and saturation effects of popular analog tape formulations, including the classic Ampex 456* and higher-output Quantegy GP9*. It also features carefully modeled characteristics from renowned tape machines such as the 3M M79* and Studer A800*. Enjoy full control over tape speed, hiss, bias, and calibration levels ?and forget about cotton swabs, rubbing alcohol, and razor blades!

* Bring the warmth and punch of analog tape color and saturation into the digital domain
* Phase and frequency response characteristics modeled from three types of analog tape machines
* Saturation effects modeled from two popular tape formulations
* Control the tape speed effect from 7.5 to 30 ips (inches per second)
* Noise controls adjust the amount of tape hiss
* Bias controls simulate the effect of under- or over-biasing the tape machine
* Cal Adjust control simulates the effect of three common calibration levels

* Avid Reel Tape plug-ins are not connected with, or approved or endorsed by, the owners of the 3M, Studer, Ampex, or Quantegy trademarks. These names are used solely to identify the products that were modeled to create the Reel Tape plug-ins.

Reel Tape Delay

Psychedelic, Dub, and Electro music styles are hotter than ever, and the warm, ear-pleasing sound of tape-based delay has never been more relevant. Reel Tape?Delay emulates analog tape echo and delay effects with expertly modeled frequency response, noise, wow and flutter, and distortion characteristics. Reproduce fluctuations in tape speed ?both small and large. Even get the full effect of adjusting tape speed during the record/playback process. Delays are fully adjustable over a wide range, and because EQ and detailed level control are built into the echo/delay loop, the feedback controls allow you to dial-in a variety of effects, from tastefully subtle to over-the-top.

* Authentically modeled analog tape echo and delay effects
* Reproduce the fluctuations in tape speed
* Adjust delays from 93 ms to 1,486 ms (1-7/8 ips to 30 ips)
* Feedback control adjusts the amount of delayed output fed back into the input
* Wow & Flutter controls adjust tape speed fluctuation
* Bass and Treble controls in the echo/delay feedback loop allow for subtle to extreme feedback and saturation effects

Reel Tape Flanger

The reason why most flanger effects sound unconvincing is because the studio technique that they imitate is dependent on so many real-world factors. Reel Tape?Flanger thoroughly models the tape flanging process and hardware characteristics, and provides an arsenal of controls for shaping the output in real time. The results are as close as you can get to the real thing ?and a lot easier to use! The sonic characteristics of frequency response, noise, wow and flutter, and distortion are captured in detail and applied to a variety of tape speed and delay control options. Infamously difficult manual flange and artificial double-tracking (ADT) techniques are simple to re-create. Simply adjust the variable delay manually (or use the LFO and Depth controls) and listen to the captivating frequency sweep and 揷rossover?cancellation effects heard on so many classic recordings. You also get easy access to tape speed fluctuation and feedback controls.

* Accurately reproduce analog tape machine flanging
* Adjustable speed control allows for manual flanging and artificial double-tracking effects
* Feedback control adjusts the amount of flanged output fed back into the input
* Wow & Flutter controls adjust tape speed fluctuation
* LFO Rate and Depth settings control the speed and depth of the flanging effect

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD Accel rig (for TDM version only)

Crack Notes

Cracked using XVX unpacer tool
ReelTape Saturation version is 8.0.0 (latest available), others are 8.0.3

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
INTEL ONLY

Test Notes

Tested on PT 8.0.1cs2 with HD Accel rig on 10.5.8, please report if it works on 10.6.x aswell


========================================

以下是嵌入的网页：http://www.digidesign.com/index.cfm?itemid=5045&langid=31


[ 本帖最后由 qopqopqop 于 10-7-8 00:07 编辑 ]

Description: THIS IS NOT A SCENE RELEASE:

MDW Hi-Res Parametric EQ 3.0 (RTAS)

Developed by the creator of the parametric EQ, George Massenburg, Massenburg DesignWorks Hi-Res Parametric EQ 3.0 emulates the filter curves of Massenburg抯 legendary GML 8200 reference-standard equalizer for Pro Tools LE and Pro Tools M-Powered systems. With its unprecedented clarity, unmatched smoothness, and excellent high-frequency response, this powerful RTAS EQ plug-in will help you achieve optimal definition in your mixes.

Features

* Wide frequency selection, from 10 Hz to 41 kHz, with variable Q and choice of three- or five-band EQ
* Double-precision 48-bit processing for unprecedented clarity
* Emulates GML 8200 constant shape reciprocal filter curves ?the industry-standard reference
* IsoPeak?functionality lets you quickly solo a target frequency band
* A/B snapshots allow settings comparisons

Details

MDW?Hi-Res Parametric EQ emulates the constant shape reciprocal filter curves of Massenburg抯 legendary GML 8200 equalizer ?the industry-standard reference. The plug-in offers a choice of three or five bands of equalization (both versions support the ultra-wide 10 Hz to 41 kHz frequency range) to target certain frequencies, or conserve DSP resources when only three bands of EQ are needed.

Professional Features
MDW Hi-Res Parametric EQ offers a number of features to help you achieve better mixes. It allows you to view the frequency grid in 6, 12, or 24 dB resolution for more editing precision. IsoPeak?lets you quickly isolate and sweep through the frequency spectrum to find a targeted frequency. You can also toggle between two EQ band settings using A/B snapshots, copy one setting to the other, and invert the phase of a track.

High-Resolution Filtering
MDW Hi-Res Parametric EQ 3.0 lives up to its high-resolution name. The plug-in delivers double-precision 48-bit processing for optimal clarity with natural-sounding results. It also provides high-resolution 96 kHz sample-rate processing for audio recorded at 48 kHz or 96 kHz, and 192 kHz sample-rate processing for 192 kHz audio, allowing for increased headroom, fewer artifacts, and more predictable filter curves. And with a variable Qs (adjustable bandwidths) from 25.6 (1/18 of an octave) to 0.1 (6-2/3 octaves), MDW Hi-Res Parametric EQ 3.0 delivers unmatched precision.

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x

Crack Notes

Cracked using XVX unpacer tool
TDM version doesn't works, this is the RTAS only version

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
RTAS ONLY, INTEL ONLY

Test Notes

Tested on PT 8.0.1cs2 on 10.5.8, please report if it works on 10.6.x aswell

============================================
以下是嵌入的网页：http://www.digidesign.com/index.cfm?langid=31&navid=115&itemid=5982


[ 本帖最后由 qopqopqop 于 10-7-8 00:07 编辑 ]

Description: THIS IS NOT A SCENE RELEASE:

The Drawmer Dynamics Plug-In provides premium quality gating, compression and limiting to Pro Tools TDM users. Drawing on 20 years of experience in innovative signal processing, the Drawmer Dynamics Plug-In offers the performance attributes as well as the look and feel of world-renowned Drawmer analog units.

Details

Based on Drawmer's legendary DS201 Noise Gate, the gate/compressor/limiter plug-in is the ultimate processing tool for percussive and highly transient material.

The Side-Chain Trigger can be set to key the gate from any audio track you choose, providing limitless processing possibilities. Key filters "tune" the gate to the required frequency to assist triggering, while the ultra-fast attack time adds punch. Audio is further enhanced by the compressor and is kept under precise control by the limiter.

For less percussive signals like vocals, guitar, and piano, Drawmer's Program Adaptive Circuits can intelligently shape and enhance the signal, breathing life into dull tracks and gently controlling excessively dynamic passages.

The expander/compressor/limiter plug-in is based on the Drawmer DL241 Auto Compressor and DL251 Limiter. Auto gain adjusts the gain of the compressor when the threshold or ratio controls are adjusted. Drawmer Dynamics takes full advantage of the latest Pro Tools functionality including dynamic automation, total save and recall of all parameters and mapping to external control surfaces.

Features

* External trigger from any TDM channel
* Frequency Selective Gate
* Compressor with optional Auto Attack and Release; optional Auto gain make up
* Gate with External Side-Chain Trigger
* Zero Overshoot Limiter
* Stereo Linking

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD rig

Crack Notes

Cracked using XVX unpacer tool

Installation Notes

Unpack, mount dmg, install
Replace plug-in in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced one
TDM ONLY, INTEL ONLY, NO RTAS

Test Notes

Tested on PT 8.0.1cs2 with HD rig on 10.5.8, please report if it works on 10.6.x aswell

===========================
以下是嵌入的网页：http://www.digidesign.com/index.cfm?langid=31&itemid=1044


[ 本帖最后由 qopqopqop 于 10-7-8 00:05 编辑 ]

Description: Overview

Dolby Surround Tools

With millions of home theater and multimedia systems equipped for Dolby Surround playback, surround-encoded programming is in demand. Thanks to Dolby Surround Tools, you can produce Dolby Surround mixes on both Mac- and Windows-based Pro Tools TDM systems for videos, DVDs, TV shows, ad spots, multimedia, CDs, and video games entirely within the Pro Tools environment.

Details

Dolby Surround Tools makes surround mixing very efficient for the Pro Tools workstation user. D-to-A and A-to-D conversions are no longer needed due to the Dolby Surround Tools' encoding and decoding processes matching those of the industry standard Dolby Model SEU4 and SDU4 units. In addition, Dolby Surround Tools supports the Pro Tools multi-channel mixer and sample rates up to 96 kHz.

While Dolby Surround Tools is not designed for the final mixing of matrix-encoded theatrical film soundtracks, it can be used to preview the results of the process (4-2-4 monitoring) on the discrete four-channel audio tracks (L, C, R, S) that will subsequently be combined with other elements during the final mixing of film soundtracks. This is a vital asset for any facility that regularly supplies four-channel sound effects and music recordings for theatrical film productions. (Dolby Laboratories continues to supply producers with dedicated film sound encoder systems for final film mastering.)

Furthermore, your clients will be able to take full marketing advantage of the renowned Dolby Surround trademark on their productions and packaging, with an easy-to-obtain, royalty-free license from Dolby Laboratories.

About Dolby Surround

Dolby Surround is a phase-matrix encode/decode process that makes it possible for regular stereo program sources to carry four channels of information. Originally developed as a sound-with-picture format, the channels are configured with three across the front (Left, Center, Right) and a fourth (Surround) reproduced by speakers to the sides and rear of the listening area.

Because Dolby Surround soundtracks are specially encoded during production and then decoded on playback, producers can control the placement and movement of sounds in a way that creates a remarkably realistic listening experience.

With tens of millions of playback systems in home worldwide and a multitude of encoded films and TV programs available to the consumer, Dolby Surround has become the standard for high-quality surround audio.

Features

Dolby Surround Tools

* Encoder and Decoder TDM Plug-ins
* Supports Pro Tools multichannel mixer
* With Pro Tools|HD, supports sample rates up to 96 kHz
* Backwards compatible with Dolby Surround Tools 2.0

Dolby Surround Encoder TDM Plug-in

* Digital implementation of Dolby Surround encode process

Dolby Surround Decoder TDM Plug-in

* Digital implementation of Dolby Pro Logic decode process
* Mode selection for Mono, Stereo or Dolby Surround monitoring
* Set-up calibration system and surround delay controls
* Center speaker monitoring options

For more information on Dolby Surround, visit Dolby Laboratories Inc. at [url=http://www.anonym.to/?http://www.dolby.com.]www.dolby.com.[/url]

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD rig

Crack Notes

Cracked using XVX unpacer tool

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
TDM ONLY, INTEL ONLY, NO RTAS

Test Notes

Tested on PT 8.0.1cs2 with HD rig on 10.5.8, please report if it works on 10.6.x aswell

[ 本帖最后由 qopqopqop 于 10-7-8 00:06 编辑 ]

Description: THIS IS NOT A SCENE RELEASE:

DINR LE, an AudioSuite-only version of the original, award-winning DINR TDM plug-in, is compatible with Pro Tools LE, and Pro Tools TDM systems. DINR LE effectively reduces unwanted noise ?including tape hiss, guitar-amp buzz, and air conditioner rumble ?for cleaner, more professional sounding audio.
Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects ?such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems.

In addition to sharing an identical feature set with its TDM counterpart (excluding real-time processing), DINR LE includes features for auditioning noise and post-processing artifact removal that are unique to this AudioSuite version of the DINR plug-in.

Details
DINR LE, an AudioSuite-only version of the original, award-winning DINR TDM plug-in, is compatible with Avid, Pro Tools LE, and Pro Tools TDM systems. DINR LE effectively reduces unwanted noise ?including tape hiss, guitar-amp buzz, and air conditioner rumble ?for cleaner, more professional sounding audio.

Since DINR analyzes and subtracts noise entirely within the digital realm, the results can be virtually free of side effects ?such as distortion, dynamic modulation (pumping and breathing), and the undesired fluctuations in frequency response associated with conventional noise reduction systems.

In addition to sharing an identical feature set with its TDM counterpart (excluding real-time processing), DINR LE includes features for auditioning noise and post-processing artifact removal that are unique to this AudioSuite version of the DINR plug-in.

Features

* Professional-quality broadband noise reduction
* High-fidelity, file-based processing with AudioSuite
* Listen to the noise being removed with DINR AudioSuite "Audition Noise" function
* Post-processing removes undesirable artifacts with DINR AudioSuite 揂rtifact Removal?function
* Unparalleled cost-effectiveness

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x

Crack Notes

Cracked using XVX unpacer tool
I've excluded TDM version as it doesn't works

Installation Notes

move the plug-in in Library/Application Support/Digidesign/Plug-Ins/
Audiosuite ONLY, INTEL ONLY, NO RTAS

Test Notes

Tested on PT 8.0.1cs2 on 10.5.8, please report if it works on 10.6.x aswell

[ 本帖最后由 qopqopqop 于 10-7-8 00:06 编辑 ]

Description: THIS IS NOT A SCENE RELEASE:

Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations.

Now the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as a TDM plug-in!

Big Bottom is a proven sound enhancement TDM Plug-In for Pro Tools ?from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.

Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.

Details

Since its introduction in 1975, the patented Aphex Aural Exciter has been used on thousands of hit albums, commercials, films, concerts, installed sound systems, and broadcast stations.

Now the same unique ability to increase presence and restore natural brightness and detail, without significant equalization, is available as a TDM Plug-In!

Big Bottom is a proven sound enhancement TDM Plug-In for Pro Tools ?from the company that invented sound enhancement. Modeled after the Big Bottom circuit in the Aphex Model 104, Big Bottom is an example of stunning, patented Aphex circuitry.

Big Bottom works on bass frequencies and adds low-end presence and punch without increasing peak level. This allows you to pack more bass into your mix without overloading amps and recorders or blowing up speakers.

Features

Aural Exciter

* The Aural Exciter brings instruments and vocals up "out of the mix"
* Patented harmonic generation process can actually increase bandwidth without increasing level
* Increases presence, clarity, speech intelligibility, and detail without significantly increasing peak output
* Total flexibility in tuning the Aural Exciter to your needs
Cost-effective
* Version 2.0 offers a new user interface

Big Bottom Pro

* Deeper, more resonant bass
* Little or no increase in peak output
* Tighter bass articulation and extended low frequencies
* Version 2.0 offers a new user interface

System Requirements

OSX 10.5.8 and newer
Pro Tools HD 8.0.x
HD rig

Crack Notes

Cracked using XVX unpacer tool

Installation Notes

Unpack, mount dmg, install
Replace plug-ins in Library/Application Support/Digidesign/Plug-Ins/ with the unpaced ones
TDM ONLY, INTEL ONLY, NO RTAS

Test Notes

Tested on PT 8.0.1cs2 with HD rig on 10.5.8, please report if it works on 10.6.x aswell

[ 本帖最后由 qopqopqop 于 10-7-8 00:06 编辑 ]

沙发?

我很少机会坐沙发的,今天坐一下

谢谢提供!!!

谢谢!!!!