合成器/采样器/音源/音色

新品希望能惊艳  不过ccs弦乐更好用些

维也纳是想干什么？还要配合这个系列出专门的采样器，估计以后电影不需要实录了，或者都小编制了！

土豪的世界  玩不起   套路太深了  VSL

其实每个公司的套路都挺深的，你看 K 版本的音源也是层次不穷。
包括： 喷火    柏林     等各种版和各种编制，只不过VSL没破解各个都得花钱而已。
套路最少的是  EW  好莱坞系列，一棒子打死自己了，这么多年他就那么个采样库，没分编制啥的！

维也纳已经着手出多话筒系列音源了，也就是针对影视配乐的。
现在已经出管弦乐多话筒交响打击乐了，价格挺贵。
接下来肯定出多话筒：铜管 木管   弦乐等等。。。。。这个公司的营销模式是很厉害的，套路是一套一套的呀。

本帖最后由 伊拉拉塔lala 于 17-10-12 14:47 编辑

Early Bird Offer

If you purchase* Synchron Strings I (Standard Library or Full Library) before its official release in November 2017, you save 30% off its regular price.

What's more, save up to 30% on our other string libraries – please find more details here.

* You will receive your license (Activation Code) right away and may download the product from MyVSL as it becomes available in November, 2017.
STRINGS RE-INVENTED

Synchron Strings I opens a new chapter in sampled strings by combining extraordinary musicianship, engineering, recording technology and software innovation. Played by members of the Synchron Stage Orchestra, recorded at our own Synchron Stage by top engineers, and backed by 17 years of sampling experience – Synchron Strings I is about to set a new standard in sound, playability and realism.

Synchron Strings I Orchestra
Recorded at Synchron Stage Vienna

Synchron Strings I is our first String Library that was recorded with the signature ambience of one of the best-sounding scoring stages on the planet – Synchron Stage Vienna. This represents a significant step for us, marrying hall-ambience recordings with the leading-edge sampling technology Vienna Symphonic Library is known for.

Since its renovation and reopening in 2016, Synchron Stage Vienna has already hosted a wealth of music recordings for international film and TV productions (such as Inferno, The Crown, Lego Batman, Ghost in the Shell, Comrade Detective, MEG), in addition to video games, commercials, and classical recordings, with many more to come. The acoustics of the 540 m2 (5,813 sq.ft.) main hall are characterized by a lush and warm sound with an average reverb time of 1.8 seconds, while still providing excellent localization of all sound sources, both in depth and in the stereo or surround environment.

Multiple Microphone Positions

To capture the spectacular ambience of the Synchron Stage, our engineers employed eight separate phase-coherent microphone configurations, recorded simultaneously, to provide a broad range of room options while using the library. Any or all of these setups can be mixed to dial in just the sound you’re looking for, from close and focused, to broad and epic!

The sections of 1st violins (14), 2nd violins (10), violas (8), cellos (8), and double basses (6) were recorded separately at their designated positions on stage. Due to the comprehensive selection of discrete audio channels you can mix your string sound in stereo, 5.1 surround or even 9.1 Auro 3D (or any other immersive audio format, such as Dolby Atmos), utilizing the intuitive features of our new Vienna Synchron Player to tailor your sound.

Synchron Strings I setup
Microphone and instrument setup
(click for larger image)

The Beauty of Simplicity

With Synchron Strings I, we have achieved the ultimate in realism and expressiveness, while providing a new level of ease-of-use.

Play short notes, long notes with various attacks, legatos, scalable vibrato intensities and note repetitions with a minimal need to switch articulations, and by moving just one or two preconfigured controllers.

Synchron Strings I works with our existing Vienna Instruments and Vienna Instruments Pro players. Available presets for Vienna Ensemble and Vienna Ensemble Pro will provide a well-balanced mix of the multiple microphone configurations at any time.

Very soon, Synchron Strings I will be powered by the all-new Vienna Synchron Player, a dedicated sample player with a brand new engine built from the ground up. Its innovative new algorithms make it effortless to render strings with astounding realism.

Combining a number of microphone positions with a wealth of available velocity layers and note variations for each articulation requires a powerful sample engine. Our upcoming Synchron Player will deliver unprecedented streaming performance, able to trigger more than 300 voices per instrument simultaneously! The new engine will also come with an internal mixer with 3-band EQ, delay for runtime compensation, algorithmic reverb, phase switching and panorama controls.

SynchronStringsI_VA-close
SynchronStringsI_VC-close
SynchronStringsI_DB-close
8 Velocity Layers, 80 Variations per Key

One major reason for the heightened realism of Synchron Strings I is the unprecedented number of velocity layers and note variations. Most notes are available with 8 dynamic levels and up to 10 variations, from pianissimo to fortissimo and everything in between, that blend smoothly as you crossfade through the layers. All the samples are delivered automatically as you play, and in most cases you don’t even need to think about manual key switching.

We’ve developed a new sampling process wherein all performances are recorded and edited at “fixed gain”. The result is that all pitches, dynamic layers, articulations and instruments match 100% perfectly with each other. For example, a pianissimo articulation of an ensemble sounds exactly as it was played at Synchron Stage and painstakingly matches the pianissimo performances of all the other instruments.

Performance Legato Re-invented

Bringing together new recording techniques and innovative algorithms tailored to recordings on a scoring stage, Vienna’s revolutionary Legato Performances excel with a newly heightened realism.

Legato
Played by Musicians from the Synchron Stage Orchestra

The players make the difference! Selected from Vienna’s world famous community of master musicians, our Synchron Stage Orchestra members performed these samples with passion and perseverance on their own very fine instruments. Having played on countless film and TV scores, in addition to honing their skills as sampling musicians, the quality of their playing will inspire your best work as you use Synchron Strings I.

Microphone Setup

The Standard Library and Full Library of Synchron Strings I both include the same articulations. The difference lies in the number of provided microphone positions:

         Standard Library        Full Library
1. Close Mic (Mono)        •        •
2. Front  Mic – Front of Ensemble (L/R)        •        •
3. Rear Mic – Back of Ensemble (L/R)                 •
4. Main/Room Mic – Decca Tree Stereo (L/R)        •        •
5. Main/Room Mic – Decca Tree Mono (Center)        •        •
6. Main Surround – Stereo (L/R)                 •
7. High Stereo (3D) – Stereo (L/R)                 •
8. High Surround (3D) – Stereo (L/R)                 •
The main surround microphone settings may also be used instead of the main stereo room mics in order to achieve a wider and more ambient mix. Blending surround signals with the other microphone signals creates a denser, more lush overall sound, even in stereo applications.

The Standard Library and the upgrade to the Full Library (sometimes referred to as the Extended Library) are separate downloads.

Microphones
Immersive Sound and Auro 3D

Bring all Vienna Strings together at Synchron Stage

While Synchron Strings I are recorded “in situ” with the natural ambience of the main hall of our scoring stage, you can place all of our other string libraries (from Solo Strings to Chamber, Orchestral, Appassionata and Dimension Strings) in the virtual version of this very hall by using Vienna MIR Pro with RoomPack 6 Synchron Stage Vienna. Create one unified sound easily by placing your existing instruments alongside the musicians who were recorded at Synchron Stage!

Synchron Strings I – Articulations

Short notes        8 velocity layers, 10 variations
Long notes – with vibrato        8 velocity layers, 10 variations
Long notes – no vibrato        8 velocity layers, 10 variations
Long notes – portato        6 velocity layers, 10 variations
Long notes – lyrical        4 velocity layers, 10 variations
Sforzando        4 velocity layers, 4 variations
Sforzando – crescendo        4 velocity layers, 4 variations
Legato – regular        8 velocity layers
Legato – slurred        8 velocity layers
Legato – fast        8 velocity layers, 6 variations
Tremolos        5 velocity layers
Trills – half-tone        5 velocity layers
Trills – whole-tone        5 velocity layers
Pizzicato        5 velocity layers, 8 Variations
Snap pizzicato        1 velocity layer, 8 Variations
Releases damped         
Releases ringing         

本帖最后由 伊拉拉塔lala 于 17-10-12 14:59 编辑

确实提到了新采样器，估计他们多话筒音源需要单独新出的采样器。
下个月揭晓了。。。。。。。。。。。。。。。。。。。。。。。The Beauty of Simplicity

With Synchron Strings I, we have achieved the ultimate in realism and expressiveness, while providing a new level of ease-of-use.

Play short notes, long notes with various attacks, legatos, scalable vibrato intensities and note repetitions with a minimal need to switch articulations, and by moving just one or two preconfigured controllers.

Synchron Strings I works with our existing Vienna Instruments and Vienna Instruments Pro players. Available presets for Vienna Ensemble and Vienna Ensemble Pro will provide a well-balanced mix of the multiple microphone configurations at any time.

Very soon, Synchron Strings I will be powered by the all-new Vienna Synchron Player, a dedicated sample player with a brand new engine built from the ground up. Its innovative new algorithms make it effortless to render strings with astounding realism.

Combining a number of microphone positions with a wealth of available velocity layers and note variations for each articulation requires a powerful sample engine. Our upcoming Synchron Player will deliver unprecedented streaming performance, able to trigger more than 300 voices per instrument simultaneously! The new engine will also come with an internal mixer with 3-band EQ, delay for runtime compensation, algorithmic reverb, phase switching and panorama controls

百度翻译大概这个意思

简约之美

与同步串我，我们在现实主义和表现力达到了极限，同时提供了一个新的易用程度。

打短音符，长音符的各种攻击，连奏，可伸缩的颤音强度和注次数的最小需要换关节，并通过移动一个或两个预配置的控制器。

同步串我作品与我们现有的维也纳文书和维也纳仪器职业球员。可供维也纳合奏和维也纳合奏专业预设将提供一个多功能麦克风配置在任何时候均衡的组合。

很快，同步串我将在全新的维也纳同步播放器供电，专用的样品的球员，一个全新的引擎，从地上建筑。它的创新的新算法使它轻松地渲染令人震惊的现实主义的字符串。

结合大量的麦克风位置与丰富的速度层和注意每个关节的变化需要一个强大的样本引擎。我们即将推出的同步播放器将提供前所未有的流动性能，能够触发超过300的声音/仪器同时！新的发动机也将采用与3内部混频器，延迟补偿算法运行时，混响，相位开关和全景控件

恭喜维也纳，终于知道出二提了

已经买了，坐等音色库发布了。。。。

啥叫多话筒，其他音源不也有多话筒的吗

本帖最后由 伊拉拉塔lala 于 17-10-13 09:36 编辑

维也纳 以前的音源不是多话筒，就是干声采样。
今年开始采样多话筒音源了，先是出了  交响打击乐。
这次是弦乐群。

1. Close Mic (Mono)	•	•
2. Front  Mic – Front of Ensemble (L/R)	•	•
3. Rear Mic – Back of Ensemble (L/R)		•
4. Main/Room Mic – Decca Tree Stereo (L/R)	•	•
5. Main/Room Mic – Decca Tree Mono (Center)	•	•
6. Main Surround – Stereo (L/R)		•
7. High Stereo (3D) – Stereo (L/R)		•
8. High Surround (3D) – Stereo (L/R)

额，明白了，他这个多话筒是针对自己以前的音色

针对影视配乐，他们家的东西不会冲突的。
营销做得很到位，让你买不完，哈哈哈

准备出手，哎真是无底洞。。