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看这个，http://www.ns-10.net/category/history/
“In 1978 Yamaha first introduced the NS-10 design with the iconic white woofer. At that time they were marketed as home audio compact bookshelf speakers. And they did a terrible job at it. Long listening sessions proved fatiguing to the ear, due to tweeter-woofer alignment/phasing issues and the harsh quality of the tweeter, when used with the original crossover.”
“In 1978 Yamaha first introduced the NS-10 design with the iconic white woofer. At that time they were marketed as home audio compact bookshelf speakers. And they did a terrible job at it. Long listening sessions proved fatiguing to the ear, due to tweeter-woofer alignment/phasing issues and the harsh quality of the tweeter, when used with the original crossover.”
回复 PAULY 的帖子
NS10M STUDIO 难听是因为它的音调准确，染色少。在这方面很少有跟它PK赢的，低音少是技术的限制。
但今天的YAMAHA 监听已没有了这种音色了，为什么？
老一代工程师已退休！！！感谢他们吧！
老一代工程师并没有退休，并且已经不玩监听级别的了，因为YAMAHA开始玩高端扩声了，像最新的YAMAHA IF 系列音箱就是老白盆的设计师
Akira Nakamura
(仲村昭)
(仲村昭)
和欧洲Audio Composite Engineering 公司的Michael Adams （迈克尔亚当斯）
一起合作设计的，可以这么说，最新的IF系列音箱达到了一个新的高度，几乎所有听过IF音箱的人都在惊讶！原来YAMAHA也可以做出这样声音的扩声音箱。