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顶~好文~~
这个大师的录音是需要有一个类似01V-96的那样的数码调音台才可以做到那么精致，其实鼓的录音最重要是做好前期的调音，话筒的摆位，还有鼓自身的音色品质，好的话筒决定你拾音的品质，想要什么样的声音就要不断尝试各种位置的话筒摆放，用一个好的数码调台把前期的每一轨的EQ（话筒相对应的鼓乐器）调整到你想要的音色，然后直接用立体声输入声卡，（注意：一般的调音台上的话筒放大功能直接影响你的音色品质）所以，在选择调音台上是非常关键的，有一台YAMAHA的01V96那当然是非常好的选择，著名的鼓大师DAVE WECKL就是用的01V96做前期的EQ和放大，然后直接立体声卡龙输入整体调音台，这样既保证了音色也保证了整个鼓组的输出平均。
新的文章是关于鼓的混音，这篇文章叫《Drum Mixing for Close Micing Techniques》，作者Moshe Wohl。
Moshe Wohl holds a B.A. in orchestral conducting and composition from the Rubin Academy of music T.A. and as been recording and producing contemporary music since 1987. He has engineered , produced, and played keyboards for various artists and recording companines and has been teaching sound engineering in two different schools of Art.
Moshe Wohl holds a B.A. in orchestral conducting and composition from the Rubin Academy of music T.A. and as been recording and producing contemporary music since 1987. He has engineered , produced, and played keyboards for various artists and recording companines and has been teaching sound engineering in two different schools of Art.
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