- 第 3 页 -
有一个理论
数字转模拟，模拟转数字中间都会有那么一些损失
那么为了减少数模模数转换的损失，就应该尽量用模拟的设备，只是最后母带转CD的时候转一下数字
又有另一个理论
模拟每经过一级都会有信燥比的问题，所以应该在设备的源头就用数字录音，然后 整个处理流程都用数字，最后如果要获得“模拟感”再花钱买个SUMMING BOX自慰一下。
其实持两种论点的人都是从自己已经拥有的设备出发，捍卫自己的工作方式而已。剩下的人则是纯粹瞎搀和，连自己的工作方式都没有，怎么去评价哪种方式的好坏？
数字没什么不好的，如果说有不够好的，就是ADDA没普遍到32BIT而已。但这样的质量要比20年前的已经强很多了，不要老拿20年前的大师作品和现在的网络歌曲比，因为那时候门槛高，能干活的都是大师。不象现在花个2000块买个卡都叫自己是音乐人。现在真正的大师做的东西质量确实要比20年前的高，这是科学，容不的发烧友们怀疑。当然也有部分大师（这里没有任何不敬的意思）还在坚持用20年前的技术录音，其实是因为他们习惯了那种方式，他们觉得既然那样已经做到足够好了，为什么还要采用和现在小P孩一样的工作方式？同样的问题如果问年轻一代的大师，他们会觉得，PT已经做的足够好了，为什么还要用那些老掉牙的方式？
所以说水平和模拟数字没关系，只是人的因素而已。
数字转模拟，模拟转数字中间都会有那么一些损失
那么为了减少数模模数转换的损失，就应该尽量用模拟的设备，只是最后母带转CD的时候转一下数字
又有另一个理论
模拟每经过一级都会有信燥比的问题，所以应该在设备的源头就用数字录音，然后 整个处理流程都用数字，最后如果要获得“模拟感”再花钱买个SUMMING BOX自慰一下。
其实持两种论点的人都是从自己已经拥有的设备出发，捍卫自己的工作方式而已。剩下的人则是纯粹瞎搀和，连自己的工作方式都没有，怎么去评价哪种方式的好坏？
数字没什么不好的，如果说有不够好的，就是ADDA没普遍到32BIT而已。但这样的质量要比20年前的已经强很多了，不要老拿20年前的大师作品和现在的网络歌曲比，因为那时候门槛高，能干活的都是大师。不象现在花个2000块买个卡都叫自己是音乐人。现在真正的大师做的东西质量确实要比20年前的高，这是科学，容不的发烧友们怀疑。当然也有部分大师（这里没有任何不敬的意思）还在坚持用20年前的技术录音，其实是因为他们习惯了那种方式，他们觉得既然那样已经做到足够好了，为什么还要采用和现在小P孩一样的工作方式？同样的问题如果问年轻一代的大师，他们会觉得，PT已经做的足够好了，为什么还要用那些老掉牙的方式？
所以说水平和模拟数字没关系，只是人的因素而已。
出乎意料，欧美又有人生产模拟开盘带了
From ProSoundNews.com
Tape Lives at 123rd AES
By
Oct 11, 2007 - 12:53:03 AM
Mike Spitz of ATR Magnetics.
by Christopher Walsh
New York, NY (October 11, 2007)--Despite the obvious strength of the DAW and the ongoing innovations in PC and plug-in development, analog tape remains a viable and often-desired format for audio recording.
At the 123rd Audio Engineering Society Convention, held Oct 5-8 at the Javits Convention Center, two tape-manufacturing companies exhibited their professional analog recording tape. "There's been a renewed interest in the marketplace for quality analog recording," said Mike Spitz of ATR Magnetics. "ATR now not only can support tape recorder re-manufacturing, but is also supporting analog with a brand new super tape. The super tape is ATR Master Tape; it is a very high-output formulation.
"We don't have a number designation on it," Spitz explains. "It is our only formulation--designed from the ground up to be made in small batches to meet the current market size. We realize that we're not dealing in 1970 anymore. This is a tape we can make in small batches and continue to make in the future as long as we have reasonable support. It won't be a constant issue of 'when are they going out of business, because we know they're way too big to continue to make tape for a smaller niche market.'"
In addition to ATR, which has long provided restoration of analog tape machines, RMG International has picked up the "Long Live Analog" cry with its line of tape, offering the former BASF/EMTEC formulations including SM-900, SM-911, SM-468 and LPR-35.
"Tape is alive," asserted Don Norris of RMG International. "We're actually seeing an up-tick in the business. A lot of people recording strictly digital are going out and purchasing their first tape machine. In a lot of cases, they're using half-inch for mixing, in particular."
ATR Service Company
www.atrtape.com
RMG International
www.rmgi-usa.com
Tape Lives at 123rd AES
By
Oct 11, 2007 - 12:53:03 AM
Mike Spitz of ATR Magnetics.
by Christopher Walsh
New York, NY (October 11, 2007)--Despite the obvious strength of the DAW and the ongoing innovations in PC and plug-in development, analog tape remains a viable and often-desired format for audio recording.
At the 123rd Audio Engineering Society Convention, held Oct 5-8 at the Javits Convention Center, two tape-manufacturing companies exhibited their professional analog recording tape. "There's been a renewed interest in the marketplace for quality analog recording," said Mike Spitz of ATR Magnetics. "ATR now not only can support tape recorder re-manufacturing, but is also supporting analog with a brand new super tape. The super tape is ATR Master Tape; it is a very high-output formulation.
"We don't have a number designation on it," Spitz explains. "It is our only formulation--designed from the ground up to be made in small batches to meet the current market size. We realize that we're not dealing in 1970 anymore. This is a tape we can make in small batches and continue to make in the future as long as we have reasonable support. It won't be a constant issue of 'when are they going out of business, because we know they're way too big to continue to make tape for a smaller niche market.'"
In addition to ATR, which has long provided restoration of analog tape machines, RMG International has picked up the "Long Live Analog" cry with its line of tape, offering the former BASF/EMTEC formulations including SM-900, SM-911, SM-468 and LPR-35.
"Tape is alive," asserted Don Norris of RMG International. "We're actually seeing an up-tick in the business. A lot of people recording strictly digital are going out and purchasing their first tape machine. In a lot of cases, they're using half-inch for mixing, in particular."
ATR Service Company
www.atrtape.com
RMG International
www.rmgi-usa.com