- 第 2 页 -
先看他的視頻示範會有很大幫助的。
按這裡 http://www.sawstudio.com/LiveVideoPromo.htm
[ Last edited by himhui on 2005-8-12 at 20:59 ]
按這裡 http://www.sawstudio.com/LiveVideoPromo.htm
[ Last edited by himhui on 2005-8-12 at 20:59 ]
看了看官方的WEBSITE,有几个疑问:
1)好象找不到FREEZE功能,现在的制作不用FREEZE几乎很难...
2)这个软件好象是用一个叫Latency Compensator的PLUG-IN 来解决PDC 问题的,但好象找不到更详细的资料....是否FULL PDC 还仅仅是BUS PDC? 而且好象这个PLUG IN 是3rdParty?
http://www.sawstudio.com/3rdParty.htm
3)VSTI 支持怎样? 大家用的话试试看?我最关心的是NI KONTACK,NI REAKTOR,WAVES IR1...
4)好象不支持REWIRE...
5)怎么那么贵啊!!!!!
如果一切OK的话,PC 我就考虑它了:)
除此而外.MAKIE 的TRACKTION也是不错的选择.也是64BIT 的ENGINE
但好象到现在还是没有PDC...但这个简单的软件也有不错的FREEZE..REWIRE2.O..
http://www.mackie.com/products/tracktion2/
最重要的是仅仅80USD....:)
1)好象找不到FREEZE功能,现在的制作不用FREEZE几乎很难...
2)这个软件好象是用一个叫Latency Compensator的PLUG-IN 来解决PDC 问题的,但好象找不到更详细的资料....是否FULL PDC 还仅仅是BUS PDC? 而且好象这个PLUG IN 是3rdParty?
http://www.sawstudio.com/3rdParty.htm
3)VSTI 支持怎样? 大家用的话试试看?我最关心的是NI KONTACK,NI REAKTOR,WAVES IR1...
4)好象不支持REWIRE...
5)怎么那么贵啊!!!!!
如果一切OK的话,PC 我就考虑它了:)
除此而外.MAKIE 的TRACKTION也是不错的选择.也是64BIT 的ENGINE
但好象到现在还是没有PDC...但这个简单的软件也有不错的FREEZE..REWIRE2.O..
http://www.mackie.com/products/tracktion2/
最重要的是仅仅80USD....:)
看到一個論壇
The PC native software I use, SAWStudio, has a "Live" mode where you can pass signal through it's processors in real time as if it was just another piece of hardware and toggle between any amount of plugin snapshot automations you wish. It's native plugins (which are generally much more cpu efficient than other protocols) are 100% fully automateable (including things like sample accurate filter, comp & eq changes, fx pararemeter sweeps, etc.) and VST & DX plugins are bypass automateable. It also has a "Mixer Template" feature which allows you to save snapshots of your entire virtual consoles routing and setups, along with the usual ability to save and load all plugin presets.
SAW's engine is written in assembly which allows it to be a lot more efficient than most other DAW apps, and it is incredibly rock solid stable. This combined with what to me is superior sounding internal processing math (all multiples and divides are done using 64bit integer math, all processes return a full 32bit DWORD result - and not just 24bits of data in a 32bit container that you get with most DAW's - before passing it on to the next process) and a wide variety of native effects plugins that process with 64bit math and sound to my ear much much better than what you would expect from a plugin makes it a superior choice to a lot of the other better known mastering applications. It can use all VST & DX plugins and the UAD-1 plugins operate with no added latency in it also.
I often use this "Live" mode when doing vinyl mastering - where for work flow reasons usually all processing is done on load out. Another use for it is when doing CD mastering as it lets you hear the sum total of the analog processing chain along with any processing done in the DAW (which for me is where I do my brickwall limiting - usually using the SAW native Levelizer which is amazingly transparent when the threshold is set at what I consider "reasonable" levels - and occasionally with the Waves L3). This is important as things like digital limiting will often influence choices like what eq you wish to apply in the analog realm. This also lets me do a hybrid work flow where I do all analog processing on load in - and while I was able to hear all the digital processing at the same time as I am tweaking the analog process chain I can still have the option of second guessing myself regarding the settings of the digital processing (or apply additional changes per phrase or song section or even single note if I wish) as I don't have to commit to it until load out.
The PC native software I use, SAWStudio, has a "Live" mode where you can pass signal through it's processors in real time as if it was just another piece of hardware and toggle between any amount of plugin snapshot automations you wish. It's native plugins (which are generally much more cpu efficient than other protocols) are 100% fully automateable (including things like sample accurate filter, comp & eq changes, fx pararemeter sweeps, etc.) and VST & DX plugins are bypass automateable. It also has a "Mixer Template" feature which allows you to save snapshots of your entire virtual consoles routing and setups, along with the usual ability to save and load all plugin presets.
SAW's engine is written in assembly which allows it to be a lot more efficient than most other DAW apps, and it is incredibly rock solid stable. This combined with what to me is superior sounding internal processing math (all multiples and divides are done using 64bit integer math, all processes return a full 32bit DWORD result - and not just 24bits of data in a 32bit container that you get with most DAW's - before passing it on to the next process) and a wide variety of native effects plugins that process with 64bit math and sound to my ear much much better than what you would expect from a plugin makes it a superior choice to a lot of the other better known mastering applications. It can use all VST & DX plugins and the UAD-1 plugins operate with no added latency in it also.
I often use this "Live" mode when doing vinyl mastering - where for work flow reasons usually all processing is done on load out. Another use for it is when doing CD mastering as it lets you hear the sum total of the analog processing chain along with any processing done in the DAW (which for me is where I do my brickwall limiting - usually using the SAW native Levelizer which is amazingly transparent when the threshold is set at what I consider "reasonable" levels - and occasionally with the Waves L3). This is important as things like digital limiting will often influence choices like what eq you wish to apply in the analog realm. This also lets me do a hybrid work flow where I do all analog processing on load in - and while I was able to hear all the digital processing at the same time as I am tweaking the analog process chain I can still have the option of second guessing myself regarding the settings of the digital processing (or apply additional changes per phrase or song section or even single note if I wish) as I don't have to commit to it until load out.