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獲GRAMMY 古典音樂獎項
Hi all
Very pleased to bring some good news - a CD that I edited and mixed entirely within SAW Studio has won a Grammy![]()
Best Classical Contemporary Composition
Jennifer Higdon - Percussion Concerto
Performed by Colin Currie and the London Philharmonic Orchestra, conducted by Marin Alsop
Recorded live at the Royal Festival Hall, London, UK
http://londonphilharmonic.wordpress....sion-concerto/
The recording of the rehearsals and concert was made by Simon Hancock of BBC Radio 3 - capturing 48 mics onto a Pyramix system in their mobile truck. I then got the 48-track 48kHz PMX audio files, and used Pyramix Native to convert them to 48 mono BWAV files for loading into SAW Studio (using Rail's BWF Helper to get them in the right place).
All the editing and mixing was done in SAW - and the only external plugins I recall using were Bob's Leveliser and Reverb, and the Sonoris Linear Phase EQ. Because the mic positions in the Festival Hall were less than ideal (no fault of the BBC - just the way it was, with limited rigging time and almost everything being slung), I ended making lots of use not only of automated faders but also of automated keyed and linked dynamics to help dig out the string sound from what would otherwise have been an overwhelmingly percussion-heavy balance. That I was able to do this whilst still maintaining most of the extreme dynamics of the original performance is in no small part due to Bob's great mixer/automation design. SAW Studio is by far my favourite mixing environment.
I mixed all the source takes (rehearsals and concert) to 2-channel 48kHz 24-bit WAVs, and then edited these together in another EDL. The JMS Batch File Generator was used to make these mix WAVs, so that I could easily go back and revise the mix of a take if the edit revealed it to be necessary. Whilst I could have done a multitrack edit directly in my mix EDL, I prefer working this way for classical productions as I find classical-style multitrack editing in SAW to be somewhat cumbersome, with lots more keystrokes and fiddling around than when doing regular 2-track editing (Pyramix is my DAW of choice for this kind of work these days).
The final 2-track edit was then sample-rate converted in SAW to a 24-bit 44.1kHz file and delivered to my colleagues at Floating Earth, who did the compilation and mastering (the concerto only makes up part of the complete CD). They must have been happy with the output from SAW as they did nothing other than dither to the final 16-bit CD master.
So big thanks and credit once again to Bob for creating and sharing with us such a fabulous set of tools![]()
And I'd recommend a listen - it's a great piece, and Colin Currie is a seriously fine player (I'm a percussionist too, and I'm in awe...)
cheers
Mark
__________________
Mark Rogers
Takelog Systems - www.takelog.com
Very pleased to bring some good news - a CD that I edited and mixed entirely within SAW Studio has won a Grammy
Best Classical Contemporary Composition
Jennifer Higdon - Percussion Concerto
Performed by Colin Currie and the London Philharmonic Orchestra, conducted by Marin Alsop
Recorded live at the Royal Festival Hall, London, UK
http://londonphilharmonic.wordpress....sion-concerto/
The recording of the rehearsals and concert was made by Simon Hancock of BBC Radio 3 - capturing 48 mics onto a Pyramix system in their mobile truck. I then got the 48-track 48kHz PMX audio files, and used Pyramix Native to convert them to 48 mono BWAV files for loading into SAW Studio (using Rail's BWF Helper to get them in the right place).
All the editing and mixing was done in SAW - and the only external plugins I recall using were Bob's Leveliser and Reverb, and the Sonoris Linear Phase EQ. Because the mic positions in the Festival Hall were less than ideal (no fault of the BBC - just the way it was, with limited rigging time and almost everything being slung), I ended making lots of use not only of automated faders but also of automated keyed and linked dynamics to help dig out the string sound from what would otherwise have been an overwhelmingly percussion-heavy balance. That I was able to do this whilst still maintaining most of the extreme dynamics of the original performance is in no small part due to Bob's great mixer/automation design. SAW Studio is by far my favourite mixing environment.
I mixed all the source takes (rehearsals and concert) to 2-channel 48kHz 24-bit WAVs, and then edited these together in another EDL. The JMS Batch File Generator was used to make these mix WAVs, so that I could easily go back and revise the mix of a take if the edit revealed it to be necessary. Whilst I could have done a multitrack edit directly in my mix EDL, I prefer working this way for classical productions as I find classical-style multitrack editing in SAW to be somewhat cumbersome, with lots more keystrokes and fiddling around than when doing regular 2-track editing (Pyramix is my DAW of choice for this kind of work these days).
The final 2-track edit was then sample-rate converted in SAW to a 24-bit 44.1kHz file and delivered to my colleagues at Floating Earth, who did the compilation and mastering (the concerto only makes up part of the complete CD). They must have been happy with the output from SAW as they did nothing other than dither to the final 16-bit CD master.
So big thanks and credit once again to Bob for creating and sharing with us such a fabulous set of tools
And I'd recommend a listen - it's a great piece, and Colin Currie is a seriously fine player (I'm a percussionist too, and I'm in awe...)
cheers
Mark
__________________
Mark Rogers
Takelog Systems - www.takelog.com
趁正好有点时间，乱翻了一下，将就这看看吧。
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
各位领导，各位来宾
艳阳高照 清风送爽，小小的捷报传来，我用saw studio编辑和混音的一张cd获了格莱美了
最佳当代古典作曲
Jennifer Higdon - 打击乐音乐会
Colin Currie和伦敦爱乐演奏，Marin Alsop指挥
录音地点：英国伦敦皇家节日大厅
http://londonphilharmonic.wordpress....sion-concerto/
这次排练和演出是由BBC电台3套的Simon Hancock录音的，48个话筒信号进入他们转播车上的Pyramix系统
。
然后我拿到了48轨48khz的PMX音频文件，使用Pyramix Native 转换成48轨单声道BWAV（broadcast wav？
）文件，导入saw studio（使用Rail's BWF 助手——啥啊？这是——让音频文件在正确的位置上）
所有的编辑和混音都是在saw中进行的，我能记起的用过的其他插件包括：Bob的Leveliser and Reverb,
Sonoris的 Linear Phase EQ。
由于话筒的数量比预想的要少（不是BBC的错，只是因为布置时间不够而且几乎所有的话筒都是悬挂的）
，
我做了大量的automation控制，为的是能把弦乐不会被打击乐掩盖，同时又要保证原始演奏的极端动态。完全归功于bob的伟大的mixer和automation设计。saw studio是我深爱的混音环境。
我把源素材（排练和音乐会的）混成2-channel的48khz 24bit的wav文件，然后在另一个edl里面把它们编辑到一起，用了JMS 的文件批处理器，以便于我能够在必要的时候回过头来检查我的混音。当时我直接在我的混音edl文件里做的多轨编辑，我发现在saw studio里面进行古典音乐风格的多轨编辑有点繁杂，比通常的2-track编辑要花费更多的手脚（我干这些工作的另一个DAW选择是Pyramix）
最终的2-track编辑是在saw中转换成24bit 44.1khz的文件，转给我在Floating Earth的同事，他会进行编辑和母带助理（音乐会只是CD的一部分），他们一定对saw输出的文件很满意，因为他们除了做dither到16bit的cd母带以外，什么都不用做。
非常感谢bob，并且再次归功于他，是他创造并和我们分享了如此难以置信的这些工具。
我也推荐大家听一下，作品很棒，Colin Currie是一位严肃认真的演奏者（我也是一名打击乐手，我很作兴他.......）
干杯
Mark
__________________
Mark Rogers
Takelog Systems - www.takelog.com
－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－－
各位领导，各位来宾
艳阳高照 清风送爽，小小的捷报传来，我用saw studio编辑和混音的一张cd获了格莱美了
最佳当代古典作曲
Jennifer Higdon - 打击乐音乐会
Colin Currie和伦敦爱乐演奏，Marin Alsop指挥
录音地点：英国伦敦皇家节日大厅
http://londonphilharmonic.wordpress....sion-concerto/
这次排练和演出是由BBC电台3套的Simon Hancock录音的，48个话筒信号进入他们转播车上的Pyramix系统
。
然后我拿到了48轨48khz的PMX音频文件，使用Pyramix Native 转换成48轨单声道BWAV（broadcast wav？
）文件，导入saw studio（使用Rail's BWF 助手——啥啊？这是——让音频文件在正确的位置上）
所有的编辑和混音都是在saw中进行的，我能记起的用过的其他插件包括：Bob的Leveliser and Reverb,
Sonoris的 Linear Phase EQ。
由于话筒的数量比预想的要少（不是BBC的错，只是因为布置时间不够而且几乎所有的话筒都是悬挂的）
，
我做了大量的automation控制，为的是能把弦乐不会被打击乐掩盖，同时又要保证原始演奏的极端动态。完全归功于bob的伟大的mixer和automation设计。saw studio是我深爱的混音环境。
我把源素材（排练和音乐会的）混成2-channel的48khz 24bit的wav文件，然后在另一个edl里面把它们编辑到一起，用了JMS 的文件批处理器，以便于我能够在必要的时候回过头来检查我的混音。当时我直接在我的混音edl文件里做的多轨编辑，我发现在saw studio里面进行古典音乐风格的多轨编辑有点繁杂，比通常的2-track编辑要花费更多的手脚（我干这些工作的另一个DAW选择是Pyramix）
最终的2-track编辑是在saw中转换成24bit 44.1khz的文件，转给我在Floating Earth的同事，他会进行编辑和母带助理（音乐会只是CD的一部分），他们一定对saw输出的文件很满意，因为他们除了做dither到16bit的cd母带以外，什么都不用做。
非常感谢bob，并且再次归功于他，是他创造并和我们分享了如此难以置信的这些工具。
我也推荐大家听一下，作品很棒，Colin Currie是一位严肃认真的演奏者（我也是一名打击乐手，我很作兴他.......）
干杯
Mark
__________________
Mark Rogers
Takelog Systems - www.takelog.com
观众反应
RAIL 的 BWF helper 是 幫助對齊導入或導出的文件...
以下是嵌入的网页：http://www.railjonrogut.com/BWFHelper.htm
[ 本帖最后由 himhui 于 10-2-3 17:12 编辑 ]
以下是嵌入的网页：http://www.railjonrogut.com/BWFHelper.htm
[ 本帖最后由 himhui 于 10-2-3 17:12 编辑 ]