本帖最后由 navy 于 17-4-1 23:44 编辑
No such thing as too many presets!![]()
With VSS3 Native you can move in depth to take full control of your reverb. But some days you just want to pick a preset for quick and no-fuss reverb delight.
We've teamed up with some of the greatest producers and mixing engineers out there to bring you a veritable mother lode of tailored reverb. Perfectly balancing the early reflections, body and tail of the VSS3 these short cuts to glory will lend a natural and transparent air to your track - because that's what they're designed to do.
And best of all? All these signatures are on the house. You're welcome!
Signature Presets by TC Electronic![]()
Christian in the studio tweaking the presets
Resident master reverb engineer, Christian G. Frandsen, has been part of our development team for 20 plus years, and there are few TC effects that he hasn't tweaked the sonics and settings for.
In these 5 Signatures, Christian has aimed for truly unique designs that respect the original sound of acoustic tracks, which makes them work wonders on both studio recordings with careful mic setups and live material with sub-par sound and lots of spill-over.
Do your strings, pads and keys a favour and load these into your mix for presence and character - straight from our reverb command post!
Piano Close
"Especially suited for any piano parts with fiery, scurrying and percussive character, this preset adds intensity and an up-close sense to your sound."
Piano Lively
"The Piano Lively emphasises the urgency and emotion in your recording, making it perfect for fills and mellow key sections.
Scary Highs
"Inspired by the scores for classic horror films, this preset brings some drastic tweaks to the high-end frequencies."
String Quartet Close
"This was originally designed for a live quartet recording by premier Nordic Noir composer Frans Bak. It adds presence to scurrying strings, and any other quivering, dramatic source material."
String Quartet Lively
"One word: immersion. Any serene or moving section of keys, pads, strings will love you for this!"
![]()
Signature Presets by Darren MooreDarren Moore on VSS3 Native
Hailed as one of the premier mixing and recording engineers of the R&B world, Darren Moore, chief engineer at the Manhattan Center Studios, has worked with all the greats.
For this Signature Darren has designed four great & super versatile presets that emulate the feel and funk of the classic, giant recording rooms, that now are so hard to find.
With these time travelling presets, you'll have the perfect starting point for mixing both vocals and instrumental tracks.
Hit Room
"Large recording spaces used to be very common in NY, but are very rare nowadays. This emulates that 'A' ambience. Great for a big 'Wall of Sound' or giving separate tracks the feel of being recorded together, it brings the sound of spaces like the Hit Factory NY Studio 1 & 3, the BMG room, Avatar Studio A or Sony's large room."
Drum Room
"This is another preset to bring back the sound of the large studio spaces, you'd find in a major recording facility. This one is a smaller room, but with the large ambiance of an adequate Drum Iso Booth."
Gold Plate
"I made this to give me that perfect 'one of a kind' studio plate, that you would find at a well equipped and maintained recording studio. You know, the sort of plate, that would take up a whole room and be wired into the studio to provide that warm, lively plate sound. The sort that would work magic on your melody or precision tracks."
Blue Stage Bright
"I wanted this to be the perfect vocal reverb for an electric, exciting performer. It emulates the sound of a perfect stage for a vocalist: nice and bright, but still warm and expansive. And it's blue as it's as cool & clear as ice!"
![]()
Signature Presets by Brendan MorawskiBrendan Morawski on VSS3 Native
With a Grammy on his shelf and clients such as Alicia Keys, Taylor Swift and Santigold, recording engineer Brendan Morawski is at the top of his game.
We asked Brendan to share some of his prefered ambience, and the presets he came up with reflects his extremely transparent approach to reverb.
Designed to make the tracks stand out yet sit flawlessly in the mix, these presets will lend vocals and drum tracks a pristine real world flavour.
Drum Room V4
"A warm room that I use to give me greater control of the ambience in the drum recording. The reverb gives me the ability to craft the live room mics to create more excitement in the mix."
Large Vocal Hall
"This preset is my starting point on ballads and slower songs. The reverb allows me to get the vocal sitting nice and big in the mix without adding any unwanted artifacts."
Vocal Room
"This is a reverb that I use to help give depth to the vocals and get them to sit in the mix just right. It can be used subtly to help add support to a vocal mix."
链接:https://pan.baidu.com/s/1i4ZWB6P密码:q6zt