合成器/采样器/音源/音色

What’s new in Version 1.7?​

Marcato mode (including runs)

The new marcato articulation is much more powerful - it’s punchy, full of energy and grit, and can easily pull off fast, agile phrases with minimal editing. Play harder on the keyboard for a more pronounced attack, or to exaggerate a note within a legato phrase. You can play a snappy series of short notes, or a slower, more grand series of accented long notes. Playing a fast legato line will trigger the runs mode - you don’t need to enable anything or switch anything on or off - just play fast, and the script will do the rest for great-sounding runs.

新的Marcato更加有力--它很有冲击力，充满了能量和砂砾，只需最少的编辑就能轻松完成快速、敏捷的乐句。在键盘上用力弹奏以获得更明显的攻击，或在一个连贯的乐句中夸大一个音符。你可以演奏一连串快速的短音符，也可以演奏一连串较慢、较宏大的重音长音符。弹奏快速的连音线会触发跑动模式--你不需要启用任何东西，也不需要打开或关闭任何东西--只要快速弹奏，剩下的脚本就会为你提供美妙的跑动效果。

Better sound

The new mix mic is roomier, yet more detailed - lush, yet powerful. I spent a long time getting this balance right, and I feel that this mix should work well in a wide variety of styles and genres. Having said that, I really encourage you to experiment with the two spot microphones. These were mixed together into a single stereo track in the original version of CSS, but in version 1.7, you can now control them independently, allowing you much greater freedom to create your own customised sound.

新的混音话筒更宽敞，但也更细致--茂盛而有力。我花了很长时间来取得这种平衡，我觉得这种混音应该在各种风格和流派中都能很好地发挥作用。说到这里，我真的鼓励你用这两个点阵式话筒进行试验。在CSS的原始版本中，这两个话筒被混合成一个立体声轨道，但在1.7版本中，你现在可以独立控制它们，让你有更大的自由来创造自己的定制声音。

Low Latency legato

I spent a (very) long time re-editing all of the legato transition samples, not only to significantly improve the timing, but also to ensure a more consistent volume envelope. This makes sequencing legato easier, particularly because it lessens the need for intensive “sculpting” of the dynamic modulation. In addition to these two factors, I also introduced a new “Low latency” mode, making it much easier to perform passages in real-time.

我花了（非常）长的时间重新编辑所有的legato过渡样本，不仅大大改善了时间，而且还确保了一个更一致的音量包络。这使得对连音的排序更加容易，特别是因为它减少了对动态调制的密集 "雕琢 "的需要。除了这两个因素外，我还引入了一个新的 "低延迟 "模式，使实时演奏乐段变得更加容易。

Improved short notes

All of the short notes in CSS, both bowed and plucked, have been re-edited to ensure better consistency of timing and length. I also improved the relative dynamic response between short note types, making it easier to switch between spiccato, staccatissimo (etc) without needing to pay as much attention to your playing velocity.


CSS中所有的短音符，包括弓法和弹法，都被重新编辑过，以确保时间和长度的一致性。我还改进了短音符类型之间的相对动态响应，使之更容易在spiccato、staccatissimo（等）之间切换，而不需要像以前那样注意你的演奏速度。


Non-vibrato legato transitions

Lastly, I have also improved the non-vibrato legato transitions. In the previous version of CSS I’d used simulated legato transitions, and while I didn’t record any new material for Version 1.7, I developed a technique to significantly improve the sound of these simulated transitions by editing the with-vibrato samples to create an all-new set of non-vibrato legato transitions. This not only sounds more realistic, but also makes the x-fade system more seamless and straightforward.


最后，我还改进了非颤音的legato转场。在CSS的上一个版本中，我使用了模拟的legato过渡，虽然我没有为1.7版录制任何新的材料，但我开发了一种技术，通过编辑带颤音的样本来创建一套全新的非颤音legato过渡，从而大大改善了这些模拟过渡的声音。这不仅听起来更真实，而且也使X-fade系统更无缝和直接。